Mick Taylor's Top Studio Tracks

“Ye shall know them by their fruits”

— Matthew 7:16 (KJV)

We all know that in the Mick Taylor Years (1969 / 74) the Rolling Stones were at their live peak. He added a real lead guitar muscle to complement their riff heavy catalogue. They went from being great to being the best. Watching the Stones in this period ranks - with me anyway - alongside watching Elvis 1969-72.  Yeah, two great acts at their peak at the same time. Saw neither. Thank goodness for YouTube.

Apparently Keith Richards once told Mick Taylor he was great live but shit in the studio. There's a ring of truth to this - even if it was overstated. Taylor certainly was less dominant in the Stones albums he played on. Maybe he knew he was being shafted for song writing credits. Maybe Mick and Keef overshadowed MT when it came to controlling who did what and when. They certainly bossed the mixing desk. Playing live they didn't have the same control.

But dig (not too deep) and you have some classic Mick Taylor performances committed to vinyl. 

I've tried to filter out songs where he was just 'one of the band' and purposefully pick songs where it's absolutely all about Mick Taylor. Agree? Disagree? Tell me in the comments.

Mick Taylor appeared on Stones albums between 1969 and 1973*. They are Let It Bleed (just a little) and then Sticky Fingers, Exile on Main Street, Goat's Head Soup and It's Only Rock n Roll plus the live album Get Yer Ya Ya's Out. 

To me, I'd probably rank them Sticky Fingers, Goat's Head Soup, Exile on Main Street, It's Only Rock n Roll. Which is strange as my favourite MT tracks appear on It's Only Rock n Roll. 

Sway - Sticky Fingers (1971)

Keith was absent and so the two Micks fooled around in the studio together, coming up with this gem. A real guitar-heavy rocker, taken at a stately pace, it's one of those Stone tracks that should be better known but it's cult like obscurity makes me feel good I'm in the know. As does my possession of an original Andy Warhol designed jeans zip cover (framed and on my wall next to 8/9 others of similar vintage). This was, for a while, my fav Stones track. Jagger sings exceptionally on this - as demonstrated by his later, pitiful, attempt on the 2013 tour. MT's guitars are hard, the solos fluid - slide and then full on rock solo as the track ends. One to look up if you don't know it.

Winter - Goats Head Soup (1973)

Winter is one of those epic ballads the Stones seemed to just knock off in their sleep in the mid 70's (Angie, Memory Motel, Fool to Cry, Coming Down Again). Just like Sway, it features no Keith Richards. What separates this from the others is the Mick Taylor guitar solo which is both powerful and incendiary. Taylor had a way of complementing Jagger's vocal lines, adding fillers and runs throughout the song. Like he would do when the Stones played live. Many people rate this his best solo. I enjoy it but, no, it would be bettered the following year.

 Can't you Hear Me Knocking - Sticky Fingers (1971)

It starts with a Keef riff and then, according to MT, when everyone was putting their instruments down at the end of the song, the groove just continued - first Bobby Keyes on sax and then, the Master Mick, the God of guitar (virtuosity be his name) started soloing. One take. Not rehearsed. As live as you can get and this is the result. The Stones should have employed this method on their recordings 69-73; just turn Mick Taylor loose. What you get is a classic and a classic because he turns the songs around and pushes it into new directions. That's one of Taylor's strength - his ability to effortlessly improvise.

All Down the Line - Exile on Main Street (1972)

Rock and rolling Stones kicking it back in the South of France, noses in bags of narcotics, dodging tax and playing some of their best music ever! Exile on Main Street was a groove, a feel, the sound of  - to steal a phrase from Sir Paul - a Band on The Run. Mick Taylor adds some sharp, rocking slide guitar, taking the solo. To see how hard MT worked on this track - watch the video below.

Til the Next Goodbye - It's Only Rock n Roll (1974)

Another acoustic ballad, another slide solo. Beautiful song and for some reason completely overlooked. Why?

Honky Tonk Women - Let it Bleed (1969) / Brown Sugar - Sticky Fingers (1971)

Two songs from 1969 (Though Brown Sugar lay in the vaults over a year). Mick Taylor's introduction to the band. Honky Tonk Women - apparently MT made a small but telling contribution. He rocked up the song from the country ballad (Country Honk) to the rock classic we know now. Brown Sugar, is another group ensemble song where MT adds to mix but doesn't stand out. Recording on the sly in 1969 in Muscles Shoals, it was Mick Taylor's suggestion that they play this unreleased song at Altamont when all was falling on the Stones' heads. Didn't make the film Gimme Shelter but the audio of this first ever version is the Stones against the wall, punching back.

Time Waits for No Man - It's Only Rock n Roll (1974)

The boss. The winner. The best track Mick Taylor and the Stones studio track. So beautiful. So wistful. And that solo at the end! An artist at the top of his game in a band throwing in a good performance. In the late 80's I wrote a shit song called 'It's Raining Again' and the only good thing about it was that I grafted a sausage fingered version of this MT's solo in the middle. The song is perfect in every way - Jagger's lyrics, Keef's spine tingling riff, Wyman, Watts, Nicky Hopkins and Ray Cooper all adding to the mix. And then Mick Taylor solos like a bastard for two / three full minutes of magic. He employs Latin influenced runs up and down the fretboard. Wow! This is what the Stones could have been. This is the Stones, timeless, standing out of time, looking at us and beckoning mere mortals forward. 

I'm done.

To read my other Mick Taylor pieces, click here...

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* Yeah - Waiting on A Friend was reused in the 80's.

Mick Taylor and that Guitar Solo

They say the Devil has all the good tunes (except when he goes down to Georgia, of course!). But perhaps just sympathising with Old Nick also conjures up a decent tune too.

I remember the first Stones album I bought myself. I was 15. Coming off the back of a couple of Greatest Hits compilations, I went and bought the live album Get Yer Ya Ya's Out. Live albums can often be a mistake as they tend to offer thin, over-emoting, out-of-tune and unnecessarily long versions of well-loved – and crafted - studio songs.

But not so Get Yer Ya Ya's Out...

It's a tour album commemorating the infamous 1969 US Tour - yes the one that ended with the screw up that was Altamont. I come back to this album frequently. I can safely say; I learnt to play guitar strumming along with this album. Recorded at Madison Square Garden, it captures the Stones as they transitioned away from Brian Jones and into the demi-god led outfit that included Mick Taylor. Finally, the Stones had some serious lead guitar muscle to complement the Human Riff, Keef. They would get better in the next couple of years, but this is the only official live album of the Stones Mark 2 line up.

My fav track was Track 1 / Side 2: Sympathy for the Devil. (“Paint It Black you devils! Do Paint It Black!”) E-D-A verses dropping to B for the chorus. Brilliant to play along with and attempt the extended guitar solo at the end of the track. Yes, I learnt my pitiful lead axeman skills from this track. Well at least for the first minutes of the solo anyway! Because suddenly the solo gets hard - real hard. What is a rhythm guitarist's best ever solo morphs into a shit-hot guitar hero work-out. You can hear the change about 4:30 into the track. It’s almost as though Keef took a snort half way through and felt emboldened to shout "Oi! Hendrix, Clapton - come and have a go if you think you’re hard enough!"

But YouTube and the internet have revealed the mystery behind the split personality on Sympathy for the Devil’s guitar solo. For of course – Keef plays the first half and then hands over to Mick Taylor. In less than two minutes, Mick Taylor pisses on Richards and - in the cock-measuring contest that was the Stones – for the next five years, never again would Keith attempt to challenge Taylor. There has only ever been one lead guitarist in the Stones and his name was Mick Taylor.

I’ll write in due course more about this golden era of the Stones. When they really deserved the moniker ‘The Greatest Rock n Roll Band in the World’. But for now, listen to this audio and you’ll see what I mean. Keef starts soloing at 3:18. Mick Taylor takes over the baton at 4:30 and from 5:20 streaks down the back straight to take both the tape and the Gold Medal.

As I said, the Stones would get better after 1969. Taylor would get more confident – aware that his fluid, melodic soloing would propel songs like Midnight Rambler, Gimme Shelter, Street Fighting Man to ever higher levels. But Get Your Ya Ya’s Out is where it began and, on Sympathy for the Devil, you can hear him shyly but definitely, take over the band’s sound.

Enjoy.

To read other Mick Taylor related articles, click here...

or

Mick Taylor’s greatest Stone song? Try this!

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Time Waits For No One - Mick Taylor's Greatest Stones Song

“Time can tear down a building or destroy a woman’s face
Hours are like diamonds, don’t let them waste
Time waits for no one, no favours has he
Time waits for no one, and he won’t wait for me”

— Time Waits for No One - Rolling Stones 1974

In the late 80's I wrote a song called 'It's Raining Again'. I used to play it loudly in my rented flat on Montpelier Road, Brighton. It was shit. The only good thing about the song was in the instrumental break where I grafted a sausage fingered version of Mick Taylor’s solo from Time Waits for No One.

Ah, Time Waits for No One. This is the Stones, timeless, standing out of time, looking back at us and beckoning us mere mortals forward. Yes, this is the best track Mick Taylor and the Stones ever recorded. So beautiful. So wistful. And that solo at the end! It was Mick Taylor’s swan song with the band, at once both a calling card and an elongated - but elegant - adieu.

The song’s brilliance however comes from all the players in the group - it’s not just an excuse for Taylor to let rip. That’s the beauty of MT’s time in the Stones, he took them to another level but, without him, the starting point was pretty damn high anyway.

So, credits? Jagger's thoughtful lyrics echo Chaucer (time and tide wait for no man) as the singer muses about the transitory nature of life. Keef's adds the recurring spine tingling riff. Wyman, Watts, the ever ready, ever steady back line, all present and correct. Nicky Hopkins adds his characteristically dramatic piano flourishes whereas Ray Cooper contributes the pervasive metronomic backing that tick-tocks the track into immortality.

And then Mick Taylor solos like a bastard for two / three full minutes of magic. He employs Latin influenced runs up and down the fretboard (influenced by a recent trip down the Amazon). Like all the best Mick Taylor solos, this one is fluid and melodic and probably pretty spontaneous. You get the impression that if he were to play it again, do another a take, he’d do it in a completely different - but equally good - fashion.

Each crescendo on the guitar, proceeded by the supporting buttresses of melodic scales, is a highlight. As Mick works his way up the fretboard (though delightfully at one point he reverses) he carries the listener effortlessly to the stars. I believe many die-hard Stones fans request this track to be played at their funeral. It certainly has an ethereal beauty, at once balancing the beauty of life, music, art, nature, love with the fragility of those very qualities.

Listen below if you’ve never heard this track. The Stones could have gone this way. Mick Taylor though was not destined to be with them for long. In Time Waits for No One he’s playing his own exit music and damn fine it is too.

Want to know more? The five greatest Mick Taylor Stones studio recordings?

Tim Robson: Top Posts 2018

Tim Robson Top Posts 2018

The Timmies Awards

As we head to the vinegar strokes of 2018, I thought I would list the top blog posts of 2018. And then list the top blog posts that should have been were it not for the poor taste of the public ganging up with my own obscurity.

Top Posts Written in 2018

1) Top Mick Taylor Studio Tracks

2) Top 10 Britpop Songs

3) 20 Minute Playlist : The Queen at Live Aid Test

Most Read Articles in 2018

1) Mick Taylor and that Guitar Solo

2) Tom Petty and the Death of Gene Clark

3) Mick Taylor - Street Fighting Guitarist

4) Top Mick Taylor Studio Tracks

5) Top 10 Britpop Songs

What should have been the top Articles (aka Tim’s Favs) 2018

1) Le Baiser de l’Hotel de Ville - Tim discusses Robert Doisneau

2) Deleted Scenes - The Growing Chill of the Censor

3) Some words on Impermenance - Tim reflects on time passing

4) Brighton to Manchester Train - Tim remembers this 7 hour journey before mobile phones

5) 20 Minute Set Lists. Oasis. Beatles. Abba.

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Tim Robson's Blog 2018

2018 ! Christmas 2018. So, here I stand at the threshold of another Christmas. Joy to the world!

Christmas tunes are playing. Mince pies are waiting to be eaten. Bottles of Cava, Port and whiskeys (sans ice) stand ready to be downed. Hangovers to be endured.

However, the 2018 band is still playing, the dancers are still on the floor and our story has not yet finished.

So over the next few days, I’ll be revisiting the year on this blog. Looking at the hits. The frequent duds. The blogposts where I was on it (like a bonnet). The diatribes where I missed the mark like a current day BBC comedian at a Northern working men’s club in the 70’s.

We’ll review Normandy. Trier. The Lake District. So many places.

My many attempts to capture history on these pages.

The music I listened to, reviewed, included as a YouTube video

And. And. Mick Taylor. Mick Bloody Taylor. That article I wrote a couple of years ago still tops the charts as the most popular thing I’ve ever written. That one article accounts for between 30 - 50% of the traffic on the site.

I’m a one hit wonder. That’s what I am. I’m the bloody Birdies Song. I’m Joe Dolce. I’m Cinderella Rockafella.

Roll with it.

Laters potatas!

Tim

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Top Mick Taylor Studio Tracks

“Ye shall know them by their fruits”

— Matthew 7:16 (KJV)

We all know that in the Mick Taylor Years (1969 / 74) the Rolling Stones were at their live peak. He added a real lead guitar muscle to complement their riff heavy catalogue. They went from being great to being the best. Watching the Stones in this period ranks - with me anyway - alongside watching Elvis 1969-72.  Yeah, two great acts at their peak at the same time. Saw neither. Thank goodness for YouTube.

Apparently Keith Richards once told Mick Taylor he was great live but shit in the studio. There's a ring of truth to this - even if it was overstated. Taylor certainly was less dominant in the Stones albums he played on. Maybe he knew he was being shafted for song writing credits. Maybe Mick and Keef overshadowed MT when it came to controlling who did what and when. They certainly bossed the mixing desk. Playing live they didn't have the same control.

But dig (not too deep) and you have some classic Mick Taylor performances committed to vinyl. 

I've tried to filter out songs where he was just 'one of the band' and purposefully pick songs where it's absolutely all about Mick Taylor. Agree? Disagree? Tell me in the comments.

Mick Taylor appeared on Stones albums between 1969 and 1973*. They are Let It Bleed (just a little) and then Sticky Fingers, Exile on Main Street, Goat's Head Soup and It's Only Rock n Roll plus the live album Get Yer Ya Ya's Out. 

To me, I'd probably rank them Sticky Fingers, Goat's Head Soup, Exile on Main Street, It's Only Rock n Roll. Which is strange as my favourite MT tracks appear on It's Only Rock n Roll. 

Sway - Sticky Fingers (1971)

Keith was absent and so the two Micks fooled around in the studio together, coming up with this gem. A real guitar-heavy rocker, taken at a stately pace, it's one of those Stone tracks that should be better known but it's cult like obscurity makes me feel good I'm in the know. As does my possession of an original Andy Warhol designed jeans zip cover (framed and on my wall next to 8/9 others of similar vintage). This was, for a while, my fav Stones track. Jagger sings exceptionally on this - as demonstrated by his later, pitiful, attempt on the 2013 tour. MT's guitars are hard, the solos fluid - slide and then full on rock solo as the track ends. One to look up if you don't know it.

Winter - Goats Head Soup (1973)

Winter is one of those epic ballads the Stones seemed to just knock off in their sleep in the mid 70's (Angie, Memory Motel, Fool to Cry, Coming Down Again). Just like Sway, it features no Keith Richards. What separates this from the others is the Mick Taylor guitar solo which is both powerful and incendiary. Taylor had a way of complementing Jagger's vocal lines, adding fillers and runs throughout the song. Like he would do when the Stones played live. Many people rate this his best solo. I enjoy it but, no, it would be bettered the following year.

 Can't you Hear Me Knocking - Sticky Fingers (1971)

It starts with a Keef riff and then, according to MT, when everyone was putting their instruments down at the end of the song, the groove just continued - first Bobby Keyes on sax and then, the Master Mick, the God of guitar (virtuosity be his name) started soloing. One take. Not rehearsed. As live as you can get and this is the result. The Stones should have employed this method on their recordings 69-73; just turn Mick Taylor loose. What you get is a classic and a classic because he turns the songs around and pushes it into new directions. That's one of Taylor's strength - his ability to effortlessly improvise.

All Down the Line - Exile on Main Street (1972)

Rock and rolling Stones kicking it back in the South of France, noses in bags of narcotics, dodging tax and playing some of their best music ever! Exile on Main Street was a groove, a feel, the sound of  - to steal a phrase from Sir Paul - a Band on The Run. Mick Taylor adds some sharp, rocking slide guitar, taking the solo. To see how hard MT worked on this track - watch the video below.

Til the Next Goodbye - It's Only Rock n Roll (1974)

Another acoustic ballad, another slide solo. Beautiful song and for some reason completely overlooked. Why?

Honky Tonk Women - Let it Bleed (1969) / Brown Sugar - Sticky Fingers (1971)

Two songs from 1969 (Though Brown Sugar lay in the vaults over a year). Mick Taylor's introduction to the band. Honky Tonk Women - apparently MT made a small but telling contribution. He rocked up the song from the country ballad (Country Honk) to the rock classic we know now. Brown Sugar, is another group ensemble song where MT adds to mix but doesn't stand out. Recording on the sly in 1969 in Muscles Shoals, it was Mick Taylor's suggestion that they play this unreleased song at Altamont when all was falling on the Stones' heads/ Didn't make the film Gimme Shelter but the audio of this first ever version is the Stones against the wall, punching back.

Time Waits for No Man - It's Only Rock n Roll (1974)

The boss. The winner. The best track Mick Taylor and the Stones studio track. So beautiful. So wistful. And that solo at the end! A fucking artist at the top of his game in a band at throwing in a good performance. In the late 80's I wrote a shot song called 'It's Raining Again' and the only good thing about it was that I grafted a sausage fingered version of this MT's solo in the middle. The song is perfect in every way -Jagger's lyrics, Keef's spine tingling riff, Wyman, Watts, Nicky Hopkins and Ray Cooper all adding to the mix. And then Mick Taylor solos like a bastard for two / three full minutes of magic. he employs Latin influenced runs up and down the fretboard. Wow! This is what the Stones could have been. This is the Stones, timeless, standing out of time, looking at us and beckoning mere mortals forward. 

I'm done.

To read my other Mick Taylor pieces, click here...

Tim's Blog RSS

* Yeah - Waiting on A Friend was reused in the 80's.

Mick Taylor and Tim Robson

Occasionally I look through the analytics of my website. I've also recently signed up to Hotjar which provides free analytics for small scale sites like this. And what do I conclude?

More people are coming to this site month on month. I'm breaking internally records frequently. It's gratifying to know that my work (my huge body of work) is being read by more and more people. And people from all over the world (I'm big in Indonesia - who knew?).

BUT YOU'RE ALL READING ONE FUCKING ARTICLE !!! Mick Taylor and that guitar solo.

It's like Chuck Berry writing the genre defining rock songs but having his largest hit with 'My Ding-A-Ling'. 

Come on people, I'm better than this! I write about stuff, you know.

- Rock music

- Roman History

- Modern Dating

- Architecture

- Me. 

- And yeah - Mick Taylor in the Stones a couple of times.

I get that Mick Taylor's great. He is. Why else would I write about him? But FFS! I'm more than the sum of my Mick Taylor articles.

Yeah. Chasing my audience away with a shitty stick. I'm an artist, dammit.

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Mick Taylor.Com

As you know, this website's URL is www.timrobson.eu.

The .eu suffix is, of course, amusing to me for obvious reasons.  Unfortunately, timrobson.co.uk and timrobson.com were already taken. A little research has revealed that they've been taken by some goddamn tennis professional who doesn't seem to have used his website since about 1894. He was, apparently number 490 in the world in 1983. Who knew? Thing is, I was probably number 822 myself. Playing lefthand. Anyway, he's somewhat greedily grabbed my name on the internet. And not used it. Bastard.

And there's that other Tim Robson 'writer' out there who writes wanky business books about how to fellate the boss and achieve your goals by showing up, pulling off, or something. Haven't read it. Amusingly Amazon assigned his book to me for a while and my sales shot up by at least a couple of copies. Yeah, okay, so my figures doubled. Whatever. I'm sure management consultant Tim Robson is a nice bloke, and all, but he winds me up as he seems to be SEO'ing my ass into second place.

There's only on Tim Robson - writer. He's funny. Bald. A hit with da ladies.

But in some ways the other (lesser) Tim Robson - writer, helped to take out 'Pervert Tim Robson' from Google's Tim Robson first page search results.  For some time - before I took up the internet burden of my name  - some peado in Yorkshire was the man. The Tim Robson you were directed to. Now imagine all the dates, ex-friends and curious ex-girlfriends I missed out on during these years of internet quietude.

"Oo - I wonder what that sexpot Tim Robson is up to now?" Tap. Tap. Tap. "Pervert Tim Robson Jailed". Erm. maybe I won't get in touch.

Images. Stealthily as my popularity grows (this month has already had the third largest traffic ever and we're, like, only half way through) - the more Tim Robson (me, the hunk, keep up!) pictures appear. Currently, two in first line of images thanks to my good friends at Almond Press.

So - what has this got to do with Mick Taylor? Fuck all. But as people seem to come from all quarters of the world to read my Mick Taylor articles, I thought I'd cheaply cash in on that. Yeah, I'm that sad and I'm that low. 

But enjoy the Mick Taylor video below. A great, great version of 'You can't always get what you want' with a guitar solo so ridiculously good, it preaches the gospel. From about 3.10 MT kicks that proverbial ass. 

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Mick Taylor: Street Fighting Guitarist

It's not a secret that I think the Stones were at their best - live - between 1969 and 1973. Collectively these years are known - by those who know these things - as The Mick Taylor Years. During this period, the Stones sported serious lead guitar muscle to match the chops and riffs of Keith Richard. This really was their live golden era (nothing though can match their recordings 1963-1969. Of course).

I won't get into any nonsense about Mick Taylor being the Stones. Clearly, Mick and Keef are obviously the beating heart of the Stones. They are the songwriters, the visual focal point, the direction, but with Mick Taylor, they now participated in the best live incarnation of “The Greatest Rock ‘n’ Roll Band in The World!”

It's one of the reasons - there are a few - why I don't go to see the Stones now. I'm their Number One fan but, pathetically, I want to see them in 1971 with Mick Taylor and not in 2017. I know, I know - I'm complex, capricious and not a little nuts. Deal with it, ladies.

So, onto Mick Taylor and the magic runs and solos he used to such incendiary effect back in the day when flares and drag queen make up marked a rock band. I'll trace Mick Taylor's development and influence in the band through one song over the years 1969, 1971, 1972, 1973.*

Street Fighting Man. Yes, it used to be the Stones’ powerhouse closer. It’s a riff laden ditty that combined fighting lyrics with punchy guitar. One word of caution though!! As I listen to live versions of this song 69-73, what is most noticeable - apart from the gradual rise in prominence of Mick Taylor's lead guitar - is the concomitant deterioration in quality of Jagger's singing. You can't discount the fact that a sloppy, word shortening, dicking about Jagger screws up the overall ambience of any performance. That is a shame because as Taylor gets better, Jagger gets worse.

So, back in 1969, Singer Mick cares and sings and articulates his words. By 1973, he's fucking about and missing out words and shouting. Frustratingly, whatever Guitar Mick did on guitar - if the lead singer is acting like a tit - the band is gonna sound worse. As it happens, I actually think by ’73 such was Taylor's shy dominance, he was getting too far to the front of the Stones. Yes, some of his stuff started to sound like guitar wank. Yes, you CAN have too much MT. Too many notes as they said of Mozart.

1969 - Get Your Ya Ya's Out

Jagger to the fore – “Get Down, boy!” (though there's more than a suspicion of studio touching up). Taylor sticking to the proscribed and approved lead lines. He often just riffs along with Keith which is no bad thing but that’s not why you have a shit hot soloist in the band now is it? As in all versions, Wyman's bass is awesome - propelling the group, shaking the earth and rooting the group in a solid foundation. The Stones as a group in front of 20,000 at Madison Square Garden.

1971 - Get Your Leeds Lungs Out.

Cards on table, I happen to think this is the Stones' greatest ever gig. They are on fire in this small-scale club setting. Taylor's more experimental on his lead lines than ’69 - his trademark fluidity is now evident. The melody lines he fingers, the vibrato he gets from his axe, all mark this version; it’s still a great group effort but this time propelled forward by MT.  Keef’s unusually ‘dirty’ guitar provides a perfect foil to the MT’s lyricism. But as Taylor ascends, Jagger begins to descend, cutting out words, beginning to shout more than sing. But not too much, yet. This is the summit.

1972 - Ladies and Gentlemen...

My it's a close one! The tempo is too quick and Jagger is seriously not singing anymore. But Mick Taylor is kicking guitar ass! Keith gives good backing but it's now the Mick Taylor show. The close is built around MT soloing like a bastard Velvet Underground style. Watch the video below as his fingers - always in control - fly over the fretboard. This is a guitarist knowing he’s the Dog’s Bollocks and beginning to assert himself.

1973 – A Brussels Affair

Too quick and Jagger is now not really giving a fuck about singing – just yelping and swallowing words. I’m sure he looked good but any artistry has gone. However, as Jagger morphs into a Mick Jagger caricature, the music of the Stones has become Mick Taylor and supporting band. I love his sustained note at the end of the final chorus where the live band mimic the clarion ending of the recording. And then we’re into a Sister Ray freak-out fade-out as the group get faster and faster and MT has a completely free hand to solo wherever and however he wants. Distressingly - freed from the discipline and control of the Stones’ format -  he seems to distressingly to run out of ideas. The end of this track – to my ears – is welcome. It probably felt better on the night.

And there we have it – the Mick Taylor years with the Rolling Stones told through versions of just one song. What can we conclude from this pub conversation with myself?

He’s clearly talented, dextrous and knows how to add lyrical lead lines to the riffs of the premier rock group of the era. Mick Taylor operates best when there’s a format he has to fit in with. Here, constrained, he can shine, do the unexpected and sound fresh and exciting. By the end of this period though – 1973 – when Jagger had become a parody and Keith retreated into strictly rhythm, MT ever so slightly starts to become annoying. It’s really not the Stones.

So – in what order do I rank the years? I’m sure of the best and the worst. Second and third place are a bit arbitrary and, in another mood, in another place, I’d rank them differently, but here, now and tonight, the 69 tour version beats Ladies and Gentlemen…

1. 1971

2. 1969

3. 1972

4. 1973

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* Not yet unearthed a decent 1970 performance.

Rocking The Ides of March

Famously Caesar was warned by a soothsayer to beware the Ides of March (approx 15th March). He ignored the soothsayer. You know what happened next. Probably - if you asked the spirit of Julius about his view of March - I suspect it would be along the lines of:- 'Not my favourite month to be honest, prefer July actually'.

But me? Well March has proved to be a record breaking month for this website. More of you have read my street philosophy - with more visits, more followers, pages views; basically, more of everything, more than any other month like - evah! Bigly. Even with the usual stalkers discounted, the graph of my fame - for that is what it is - is off the chart. Well it would be if I hadn't recalibrated the scale, but you get the point. 

Now, as a man of introspection and self reflection, I could ask, why.* However, I prefer to ask, 'why not'? But let's turn the telescope the other way and look at why. Well, I started my 'Things I don't give a fuck about' series in March. Hardcore writing promoted on Facebook. Dragged in the punters like a stripper in an after hours Rochdale pub. Then there was the Chuck Berry's obit. Serious. Measured. One string bender to another. Remember the video of Tim playing a medley of four favourite middle of the road songs? One for both the ladies and musicians. What's not to like?

Bizarrely though, the most popular blog post was something I wrote in December about Mick Taylor playing Sympathy for the Devil on Get Yer Ya Yas Out with the Stones. There were loads of website hits from the States for this piece of stellar rock history. BTW, if you haven't read it yet (why not?) go and search it out. Fun, opinionated, well researched with a decent video at the bottom, it's by far the most popular thing I've ever written. Not the best though. My recipe for Beef Ragu still brings tears to my eyes (the honesty, the flavour. I rock in the kitchen).

So - as the Monday night running club hums around me here in The Battersea Arts Centre - lots of lycra, lots of girls** - I must put March behind me and rock into April. 

There's stuff about April. Me and April. April in Paris. Long, long ago. Get me pissed enough and I might write about it, here in the record breaking Tim Robson blog, Click that RSS feed now!

Until then, cheers, I couldn't have done it without you (break records that is, the writing I could have done on my own, but you know what I mean). 

Cheers

(See the video below. Sort of this blog set to music - silky, hip, ethereal; probably better 20 years ago.)

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* Just joking - shallow and inane. That's how I like it!

** Some random 40 plus nerd is wandering around the young girls in lcyra in his running shorts, leching. They ignore him. Like, doh! What a prat - mate, just put them in your bank and move on.

Mick Taylor and that Guitar Solo

They say the Devil has all the good tunes (except when he goes down to Georgia, of course!). But perhaps just sympathising with Old Nick also conjures up a decent tune too.

I remember the first Stones album I bought myself. I was 15. Coming off the back of a couple of Greatest Hits compilations, I went and bought the live album Get Yer Ya Ya's Out. Live albums can often be a mistake as they tend to offer thin, over-emoting, out-of-tune and unnecessarily long versions of well-loved – and crafted - studio songs.

But not so Get Yer Ya Ya's Out...

It's a tour album commemorating the infamous 1969 US Tour - yes the one that ended with the screw up that was Altamont. I come back to this album frequently. I can safely say; I learnt to play guitar strumming along with this album. Recorded at Madison Square Garden, it captures the Stones as they transitioned away from Brian Jones and into the demi-god led outfit that included Mick Taylor. Finally, the Stones had some serious lead guitar muscle to complement the Human Riff, Keef. They would get better in the next couple of years, but this is the only official live album of the Stones Mark 2 line up.

My fav track was Track 1 / Side 2: Sympathy for the Devil. (“Paint It Black you devils! Do Paint It Black!”) E-D-A verses dropping to B for the chorus. Brilliant to play along with and attempt the extended guitar solo at the end of the track. Yes, I learnt my pitiful lead axeman skills from this track. Well at least for the first minutes of the solo anyway! Because suddenly the solo gets hard - real hard. What is a rhythm guitarist's best ever solo morphs into a shit-hot guitar hero work-out. You can hear the change about 4:30 into the track. It’s almost as though Keef took a snort half way through and felt emboldened to shout "Oi! Hendrix, Clapton - come and have a go if you think you’re hard enough!"

But YouTube and the internet have revealed the mystery behind the split personality on Sympathy for the Devil’s guitar solo. For of course – Keef plays the first half and then hands over to Mick Taylor. In less than two minutes, Mick Taylor pisses on Richards and - in the cock-measuring contest that was the Stones – for the next five years, never again would Keith attempt to challenge Taylor. There has only ever been one lead guitarist in the Stones and his name was Mick Taylor.

I’ll write in due course more about this golden era of the Stones. When they really deserved the moniker ‘The Greatest Rock n Roll Band in the World’. But for now, listen to this audio and you’ll see what I mean. Keef starts soloing at 3:18. Mick Taylor takes over the baton at 4:30 and from 5:20 streaks down the back straight to take both the tape and the Gold Medal.

As I said, the Stones would get better after 1969. Taylor would get more confident – aware that his fluid, melodic soloing would propel songs like Midnight Rambler, Gimme Shelter, Street Fighting Man to ever higher levels. But Get Your Ya Ya’s Out is where it began and, on Sympathy for the Devil, you can hear him shyly but definitely, take over the band’s sound.

Enjoy.

To read other Mick Taylor related articles, click here...

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This week's Top Ten

First in an occasional series of what I'm listening to. Of course, I'm influenced by my girls so the odd tween anthem may slip through - some would say it's merely nudging at an open door. After some frankly shocking mishaps with the latest Apple upgrade (losing music / playlists / visibility, grrrrr) I quite like their radio / playlists. That and Shazam have allowed me to cast the net wider than Beatles bootlegs or Stones concerts 1969/72. So here goes.

Random Obscure Oldie

Dion - My Girl The Month of May.  Swinging 60's sub Beach boys / Carnaby Street / chuck in the kitchen sink type song from Dion. Didn't sell. Shock. Ties should be kipper. Clothes colourful.

Tim's hip. Tim's now. Daddy dancing spot.

David Guetta - Dangerous (Robin Shultz remix). Personally I don't go a bundle on remixes but this one really adds to the, er, mix. Floaty violins break into this club stomper. Light and shade.

Blonde (with Melissa Steel) - I Loved You. Took me yonks to track this down. Briefly kissed the charts last year. A 90's style club throwback. Where's my handbag? I need to dance around it.

Obligatory Stones live track

Stones - Street Fighting Man. Live at Leeds University 1971. Turn it up! Stones in their absolute pomp with Mick Taylor providing magical fluid guitar flourishes to complement Keith's relentless riffs. So good my girls wait at least ten seconds before replacing with Taylor Swift.

Country

Clare Bowen - Black Roses. From the soundtrack to the Nashville TV series. A slow builder which ends in Clare (Scarlett in the series) repeating, declaring, affirming 'I'm not under your spell'.  Spell binding.

Kids Choice

Nick Jonas - Chains. This week, my kids are mostly listening to this ditty, currently in the charts.

More next week pop pickers. 

DJ Tim