A Literary Girl On A Train.

So, I'm on the 8:23 from Clapham. A late night in the office as I wanted to send off 'Parallel Tracks' to a short story competition. Hard graft made easier by some Cava. I played Terry Hall, tweaked a few words, drank a glass and sent away this future winner.

Anyway, so I get to Clapham Junction and get on my train. Sit down at a four table. Only one bloke diagonal to me - great. Whip out the Mac.  Stories to write. Websites to edit. Usual stuff that an under appreciated writer does. We work - ALL - the time. In silence and unobtrusively. And then - opposite me - sits down a writer - a 'real' writer.

Let me describe her shall I? Not unattractive. Slightly boho. Wild and wiry hair. Glasses pushed onto her forehead. Voluminous scarf wrapped around her neck (I believe this is obligatory if you are a 'writer'.) And now she gets out a couple of beaten up leather notebooks and an ink pen. She figits. She attitudialises. She makes faces and waves her fingers around directing the very air with her abundant creativity! She looks concentrated. She writes furiously. She gazes off into the mid-distance as though being filmed.  She smiles outwardly so that everyone can see she's written a bon mot. She flicks pages quickly and noisily as she writes.

She is a stage version of a writer.

I am in the presence of greatness. Sat at the Brontes' table as they pen their classics. With Thomas Hardy as he tours Cornwall in 1912/3 researching the Emma Poems. With Oscar Wilde in Hove as he writes 'The Importance of Being Earnest'. Partying with Brett Easton Ellis in the 80's perhaps, or sharing a car with Jack Kerouac in the 50's. Someone good, anyway.

Literary greatness sits at my table!

Yeah... Me.

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Tim Robson's New Novel

“A writer wrote a word a day
Carefully selected.
Until he had marvellous novel
Everybody rejected.”

— Annoymous

It's been three years since Franco's Fiesta stormed the lower reaches of Amazon's best selling charts. Some days it manfully sold its way to the top 100,000 paperback sales in the world (or UK, or Brighton or my road or something). I think I've given out those 10 copies now to friends and family. Did you get one? 

A question I'm (never) asked is, when are you going to write another. Well, what with the writing, editing, promotion, the hotels, the literary festivals, the groupies, who has time? And some authors should stick at just one book (looking at you Harper Lee). Well, I feel I've got at least another book in me. I didn't achieve all I wanted with Franco's Fiesta (fame, money, groupies, lead part in the film of the book, soundtrack, album, er, yeah. Wanker.)

So, lately, quietly but methodically I've been planning my next novel. Ha! Yeah - planning. As if I didn't just pen some crap and then edit it and think, is this a short story or does it deserve another chapter? Well, this latest one, deserves another chapter. And probably several more after that.

So, what's it about? In answer to this, let me quote myself using some bullshit I penned for a small publisher who took one of my short stories:-

“I’m lucky to walk along Lavender Hill every day on my way to work. And every day I observe hundreds of interesting characters who cross my path. Who are they and what are they doing and why are they here?

Teeming with ideas I get to my office ready to start writing a new piece. And then, I think - “fuck it” and just write about myself. Again.

I am my own God.”

— Tim Robson - The Rejected Manuscripts interview.

Amusing, eh? But not so true this time - just as it wasn't for Franco's Fiesta. I can use that thing - what's it called? - oh yeah! imagination. I make stuff up. That doesn't mean I don't steal people or events or places from real life, because I do. I put them all in a black velvet bag, shake the pieces and draw from it randomly. And write.

But I'm more conscious of posterity, more aware of precedents, less convinced of my uniqueness. I'm also getting to like longer sentences, longer sentences with sub clauses, errant thoughts, asides, funky punctuation and literary allusions. Fuck short sentences. Precision can be reached by either the front door or via a circuitous route through the back door. 

I will say this. I've been quite influenced by some of the books I've read recently. Breakfast at Tiffany's was great but then so was The Go-Between. And others. But I think I'm pitching for that capturing the zeitgeist stardust. 

Anyway, two chapters down. Slow progress but it will speed up, I know.

Place your advance orders now!!

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The Decline of the Dinner Party

“Since the baby, she never wants sex. I mean ever.”
“Define never,” I say, these things being somewhat subjective.

“Lucky if I get it on a Sunday morning. The brat always wakes up in the middle though. It’s like it has a sixth sense. I start pounding away and then it begins with the crying. Happens every time. I usually come with the sound of crying in my ears.”
“Hers I bet.”

Phil hasn’t heard. “It’s got to the stage where I literally cannot come now unless I can hear crying. If there’s no crying, I can’t come.”

---

Imagine a world where Branwell Bronte came home to the parsonage in Howarth one winter's night a bit pissed. His sisters and the good reverend have gone off to bed and the fire in the sitting room is almost out. Stumbling around, he finds a load of papers on the table and throws them on the fire. They burn brightly and Branwell falls into a drunken sleep as the only copy of Wuthering Heights goes up in smoke.

Or what about; it's summer 1965 and the Beatles, fresh from playing The Hollywood Bowl turn up at a pre-arranged meeting at Elvis Presley's Los Angeles pad. The Fab Four and The King chat and someone gets out instruments and one of the Memphis Mafia says, let's record this. But the guy with the tape machine puts the reel on badly and so nothing is recorded! (BTW - this didn't actually happen. Though they jammed a little, as far as I know there are no bootlegs of this famous summit meeting).

Or maybe in some early Christian Council following Nicaea in 325, a bunch of bishops are choosing which gospels to go in The Bible. Naturally they select the Gospels of Judas, Thomas, Philip and Mary. "Throw that nonsense written by those heretics Matthew, Mark, Luke and John into the city's dump" they might have shouted.

You get the picture.

Things of value hidden, lost, thrown away. 

Well, it was nearly that way this week when I left my rucksack on a Thameslink train back to Sussex. Just got up off the train and forgot my bag. Which had all manner of electronic devices and personal stuff packed inside. Including this laptop. As I'm constantly working on articles, short stories, poems, history, the laptop has many irreplaceable words of wisdom, fun and import penned by me on the 19:23 from Clapham Junction after a couple of wines at Battersea Art Centre.

For example, the quote above, is included in my current story - The Decline of The Dinner Party. Image if it had been lost to the world? Luckily, a cleaner handed in my bag and the world need not mourn the loss of untold, incalculable but well-written Robson.

I'll leave you with another from the lost story that was found again:-

"It was meet that we should make merry, and be glad: for this thy brother was dead, and is alive again; and was lost, and is found."

Whoops, that's Luke 15 but here's some real wisdom:-

“I work in fracking. You know, extracting gas from rocks by high pressure water techniques.”
“You’re joking!” she says as though I’ve admitted to a liking for casual racism.“No, it’s an interesting job and it’s well paid and I love the moral dimension.”
“What the fuck is the moral dimension?”
“Well, as I’m sure you know, cheap energy means cheap fuel, which means that pensioners and poor people don’t die in winter. Cheaper energy lowers industry’s costs, makes them more efficient and provides job opportunities for millions of people. This reduces welfare and increase taxes to pay for good things like doctors, nurses and schools. Julie, it’s a moral mission to get that gas!”

The world has been saved these words and wit. Rejoice at that news!

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The Robust Annals of August

Well, August has gone but summer still persists here in the nation's capital and down on the South Coast. Which is a shame really as I bought a nice Autumn coat from Samuel Windsor.  In the sale, of course. And now it's September. There was a girl in Rochdale one September many autumns ago. I promised I'd never tell. The lady however, when asked, said, 'Tim Who? Is he the short one? Oh him! It was only one kiss for fuck's sake! I was drunk. Yeah, can I go large on it. Extra fries.'

Happy memories, but let's not let August slip away like a greased pig thrown into a three-way with an oiled up celebrity couple. Let's review this blog's August performance shall we?

This blog started the month in self-congratulatory mode celebrating July's record RSS numbers. However,  as August's RSS numbers didn't quite reach July's numbers, I'll concentrate on the fact, last month, I got the second highest number of visitors to the site in 2016. That's good, right? And what the hell is RSS anyway? 

I have a mate in the industry. Writing a book on this stuff. I asked him about RSS feeds. He tried to explain. Still none the wiser. But he'll get your website up Google's rankings, apparently.

So - August was one of the best months for, er, actual people coming here and reading stuff. Maybe it's all the many millions of fans from my writer's Facebook page coming here, hanging out, chewing the fat and learning about Folk music. Or something.

Now let's review my posts. And the blogs I promised but didn't actually deliver:- Led Zeppelin, The Emperor Augustus, Edward Hopper and probably loads more but I can't be arsed looking back. There's also a few blogs that I did write - possibly refreshed, possibly not - that my internal Quality Manager judged to be so bad, forced or plain masturbatory, that I pulled them. Fear not though, they're still here in draft. Crap posts are but a couple of drinks away. I walk the line between genius and arse like Johnny Cash trying on a pink shirt.

I liked the Folk Music / Bleecker Street double header blogs. Worthy but heartfelt I felt. 

And who hasn't read my back to back blogs musing on information gate-keepers and the blogs I read myself? Up there with Bramwell Bronte's best stuff. And it's a shame I don't get rewarded for all the traffic I sent Peter Hitchens' way after name-checking him and putting in one of those fancy weblink thingies.

It was good to write about one of my poems being accepted and published this Christmas. Bet that's gonna be a money spinner! 

I also got long listed again for another literary competition though - surprisingly - there was no blog about this middling failure. FFS - long-listed again! Always the jilted bridegroom and never the rogering best man. (Yeah, that metaphor doesn't really work. I know.) Still; longlisted is better than spunking my literary children into a Kleenex. (Did I actually just write that sentence - the curse of a large white strikes again.) Anyway, it gives me the opportunity to show you another Tim Robson profile (written by me, of course) on another website. Fame, fickle fame. 

So, enough.  This is getting to be the blog that celebrates itself. Not a great look. (But it's a look).

Additionally, I finished two short stories in August and began another. The Dead Pubs of Clapham still remains unwritten but Bang the Beat! and Insignificance were completed on trains, in pubs and my kitchen during the month. And then entered into competitions. Obscure long lists sternly beckon, no doubt.

August. Kind of top end when it comes to blogs and popularity. Not The Beatles. More The Yardbirds; respected, revered but alas, For Your Love aside, obscure. But, as we all know, The Yardbirds begat Led Zeppelin.

Nob.

Tim

(September's laughable aspirations for this sturdy organ to be published tomorrow. Or not.)

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I Am the Resurrection.

"I was saying something. Oh yes. Maria and English literature. We argue about its relevance, English Lit. As an academic subject as opposed to a leisure activity. I write, she reads. I read, she deconstructs. What annoys me is the way they (as in ‘They’ – those buggers who populate an ill informed argument. Yes, ‘Them’.) er, yes, the way they take something that's for everyone and raise it above the heads of the people for whom it was originally meant. Alienation I believe it’s called. Yes, you can see I’m better read than I let on. However, it's all bollocks, your honour." 

Tim Robson - Neil Diamond's Beard (early 90's)

 

I've been reading some of my stuff from the early 90's. The superbly titled unpublished novel - Neil Diamond's Beard. Was it any good? Was I a literary enfant terrible tearing up Brighton in my 20's? It's an attractive image but I'm perhaps not best placed to answer. However, what I would say is that lifting the lid on your younger self is sometimes a wondrous thing, sometimes a shocking thing. You forget so much, the passage of time smooths the edges off the anger, laughingly points out your conceits and can make a mockery of your juvenile attempts at a deeper truth, a coherent worldview.

But - and it is a big but - there's a vibrancy in the writing, no doubt about that. I know my brain had then been captured by Martin Amis, Jack Kerouac, by a cinéma vérité confessional style that confused reality for readability, and yet... It's a two fisted brawl of a novel, no punches left in the locker, no attitude unexplored. There's also a willingness to be honest and truthful which, however polished and skilled my writing has now become, and however much the self-edit red pen excises the wilder prose, I still endeavour to retain. Not for me plastic emotions and gossamer thin characterisations. It's all, or it is nothing.

So - what are the major differences I notice in my writings of the early 90's?

1) Smoking in pubs and restaurants (see picture above, Aug 1989). It seems like ancient history now. How we all accepted cigarettes in an indoor environment. How every table had an ashtray. How your clothes and hair would stink when you got home. Strangely I miss it - but only as a sensory shortcut to my youth, not as a going concern.

2) Lack of mobile phones. How the hell did we communicate back in the day? I seem to remember a lot of confusion and hanging around and detailed planning. Now we all just go out and kind of navigate to each other when we feel appropriate. Our 2015 ability to track each other would have been perceived as phenomenal, and perhaps sinister, in those pre mobile phone days. Conversations were more intense however without a constant distraction bleeping on the table, calling you to wonders elsewhere.

3) Political correctness. Strangely I found this worked both ways - both more and less at the same time. This was Brighton at the dawn of the 90's, not a Northern working men's club in the 70's. But some casual incorrectness creeps in. Words, phrases that I would be uncomfortable to use these days pepper the narrative. But perhaps that was youth. There's also a suspicion of the corrosive chilling effect of thought-crime in the writing. PC was both stronger but less prevalent. The war hadn't been won so the PC army wore combat fatigues.

4) How my world-view had more passion but less depth. An assertion is not an argument. Experience moderates the fires of youth. There's nothing like reality to piss on a dreamer's parade. Certainty is the preserve of youth.

5) I'm a better writer now. Fact. The work is littered with errors and stylistic howlers that poke the reader in the eye. I wouldn't publish what I wrote back then. There again, a decent and sympathetic editor (like me 25 years later) would have done wonders. 

6) Despite that, I am very definitely - and distinctly - me. The themes, patterns, style, worldview are there, in infant form perhaps, but there nonetheless. It's reassuring isn't it, that stripping away temporary conventions and fashions, forgiving naivety, lack of experience, undeveloped skill, your voice and passions remain constant.

And rather frightening too.

Cheers,

Tim

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