The Best Underground 60's Sounds 2
A few years back, in the dark days of masks, lockdowns and weird social rules in supermarkets, I wrote a pretty well received article on the best unknown 60’s songs (strangely now my most popular article battling it out with Mick Taylor and - bizarrely - a circularly walk around Burgess Hill).
The obscure 60’s article strayed not too far from the path of collective knowledge - B Sides from familiar bands (Stones, Beatles, Who), overlooked singles - Lady Friend by The Byrds. A couple of randos like Rudi’s in Love.
A toe in the water. I promised then - and I always keep my promises - to write a follow up with more obscure fayre from the 60’s. Well, here it is and here they are.
But before I start, I’m aware that this list will also be derided as mainstream, yawn, “13th Story Elevators - so overdone man.” I’ll take that abuse - there’s none so disdainful as an obscurantist. They are not my audience. Who is then Tim? Well, since you ask, my readers tend to stray on this site after perusing my Mick Taylor articles or having ploughed their way through my worthy histories of Rome through various battles. And given these facts, let’s tread lightly into obscure music trivia.
So - I can’t get no satisfaction crowd, be damned - here we go.
You’re Gonna Miss Me - The 13th Story Elevators (1966)
Pretty well known in underground circles. There used to be several club nights in Brighton in the early 90’s that would delight in playing obscure 60’s tracks. In my mind and unreliable memory, this particularly track used to be played a lot. For how else would I know it? It sounds like it was recorded in a garage which is a prerequisite for this list. Sounds like it was done in one take. Written by Roki Eriksson and storming to 55 on the Billboard charts in May 1966, this was the highpoint of The 13th Floor Elevators. If you like a track with prominent guitar, wailing singer, Kinks type solo and a weird jug instrument in the background then You’re Gonna Miss Me is one for your party playlist. Look smug.
I’m Gonna Jump - The Toggery Five
Familiar story. Boy finds his girl is unfaithful. Confronts her and then threatens to jump into a river to kill himself. Perhaps an over-reaction, no? Probably why she dumped you mate. But it’s delivered with panache, the singer has a pair of lungs on him and - subject matter aside - it’s a dramatic tune. Didn’t trouble the charts though. And how do I know this particular ditty? Well, back in Rochdale, so many years ago, the vicar’s daughter handed me a set of 45 singles. Can’t remember why. And this one was in the pile. It’s a crap anecdote I know but led to this entry on the listette.
Tried So Hard - Gene Clark (1967)
Gene left the Byrds in 1966 - afraid of flying and chased by the jealousy of the others. He then embarked on an unsuccessful solo career before drinking himself to death in 1991. Those twenty five years produced many great tracks and plenty from the 60’s all of which, unless you’re a Gene fan, are worthy of a mention here. I’ll go with Tried So Hard which - in various incarnations, I’ve tried so hard to play and record over the years. Clark is one of those few artists who started the country rock genre and no there’s no better example than this track. Superficially a ‘country’ song, it is replete with unusual minor chords and a great melody that are a hallmark of this under appreciated artist. So, listen to this, The Echos the album it comes from, and then go forth and listen more deeply my children. (Bonus points if you find Fairport Convention’s BBC Radio session version).
Think About It - The Yardbirds (1968)
B Side of their last single - Good Night Sweet Josephine. Whilst the A side is a some sub-Mickey Most musical hall type crap, Think About It is a audible signpost to guitarist Jimmy Page’s next group Led Zeppelin. Plug him in and away Jimmy goes, riffing like a bastard, soloing madly, double/triple tracking himself and foreshadowing Dazed and Confused. You know, there was a time, back when the planet was young and Margaret Thatcher was in power, when The Yardbirds were everything to me. More so than Zep even. Page, Clapton, Beck. What a lineage! But in their last couple of years, it was basically Page who used the Yardbirds vehicle - criss crossing the States and Europe - to hone his craft and develop the sound of what would become the world beating Zeppelin that dominated the 70’s (Hat tip to Renaissance though). From Happenings Ten Years Time Ago to Puzzles to Think About It, this was an experimental heavy metal journey. Think About It.
Blues Run the Game - Jackson Frank (1965)
“Catch a boat to England mama // Maybe to Spain”
There was a folk scene in the UK in the early to mid 60’s. It included John Renbourne, Bert Jansch, Sandy Denny, Paul Simon and his fellow American, Jackson Frank. Some went on to great fame and fortune and others - Frank - didn’t. He recorded one album, produced by Paul Simon, and left us with a hatful of great songs unknown and lost. Blues Run the Game, with it’s trademark folk finger picking style, haunting tune and ominous lyrics, is probably his greatest legacy. Got nowhere but it so nearly did. When Simon and Garfunkle were recording their first album - after the success of the electrified Sounds of Silence single - they recorded Blues Run the Game (probably a more polished but less heartfelt version). But it never made the cut for the album and lay unreleased until the 90’s. Frank died of mental illness and poverty never to know success. Blues ran his game and won.
Bonnie & Clyde - Serge Gainsbourg & Brigitte Bardot (1967)
Do we all feel the Serge? Dunno. But periodically, I do. Elisa, Initials BB, Qui est in, qui est out. Cool AF, is our Monsieur Gainsbourg. And Brigitte Bardot? This duo is hypnotic, with a an understated driving beat, falsetto cuckoos throughout, it draws you in and makes you think, why is this not more fasmous in the Anglo world. Clearly, I’m preaching to the choir in France but elsewhere, it’s a cult classic at best and a worthy and mighty entrant to this list. And yes, neither of them can sing that well. Cela n’a pas d’importance.
Maybe I Know - Lesley Gore (1964)
This song just comes at you right out of the blocks. With Quincy Jones production, this Jeff Barry/ Ellie Greenwich composition is a snapshot of early 60’s Brill Building styling. Inexplicably not a big hit, it’s one of my favs from this era - polished, great tune, confident double tracked vocals, whip cracking handclaps. Better known for ‘It’s my Party’ this is my preferred Lesley Gore song. And now yours. I’m sure her boyfriend didn’t really chteat on her like this (no sniggering).
This took me ages to write. Don’t know why. I neglect my blog, my readers, my craft. I apologise. Let the music say sorry to you… Part three? Who knows?