Tim Robson

Writing, ranting, drinking and dating. Ancient Rome. Whatever I damn well feel is good to write about.

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The eyes have it! Tim elegantly wasted with female admirer 1990's.

The eyes have it! Tim elegantly wasted with female admirer 1990's.

What'll you be having?

October 23, 2017 by Tim Robson in Bollox, Tim Robson

(Part 2 of the Self Indulgence series)

Although I don't often drink, I think an article on my drinking habits is well overdue. The world tugs at my sleeve and begs to know.  Afterall, I know you all want to buy me a drink, right?  So let's take a look

Pre-University - The Rochdale years

Ah - The Brown Cow, The Grapes, The Elephant and Castle, The Madison, Yates Wine Bar. Yes, young Tim cut a dash in Rochdale. What would you buy him? Well, frankly anything, but if pushed snakebite and black (do you wanna cherry with that?), or Bacardi and Coke.

Student Days

I remember one sunny day in May 1987 sat in a field drinking a 1979 Portuguese red, eating Stilton and reading Wuthering Heights. That would be the high point naturally. However, awful, gut rotting cocktails, Kronenberg 1666 for 70p, cans of pale ale and pints of lager and lime, these were the real drinks that powered my intellectual assault on the left wing fantasy that was Sussex University in the 80's.

Girls, Amex and nightclubs

Amex used have a Sports and Social club where the drinks were cheap and where younger members of staff got pissed and then got off with each other. In and out of love, young Tim used to be double parked with large whiskies and lager. Apparently doubles - downed in one - and in a manly fashion, allowed my 'funny' personality to take a walk.

The docility

One thing that annoys me is smug couples in their late 20's, early 30's playing at being mature and living their domestic existence. Earnest dinner parties are held, polite conversation dominates, babies are born and careers pursued. Received wisdom and cosy consensus are very much welcome. Craft beer is drunk sparingly and The Sunday Times Wine Club's box of mixed eagerly anticipated. Yes, I was that person. Once. My smugness has gone. Gone. 

Unexpectedly Single

Cigarettes and alcohol. Sambuca, whiskey, wine at home, beer when out out.

And now (late 30's)

Wine. Mainly Cava. Large glasses of red. Interestingly enough, I was out with four girls a couple of weeks ago in Hove. Yeah, me and 4 girls. Sounds like the cue to a joke, right? Anyway, like a girl, I had a glass of wine. They all drank pints of lager. I'm going to have to road-test this new sophistication, try it on for size and see what it brings.

Anyway, I thought you might like to know.

(BTW I like my indulgences somewhat of the selfish variety).

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October 23, 2017 /Tim Robson
Drink
Bollox, Tim Robson
"Where are you going?" Tim Robson engages with the audience mid 90's

"Where are you going?" Tim Robson engages with the audience mid 90's

Tim Robson says "Sorry"

battersea arts centre
October 12, 2017 by Tim Robson in Bollox, Tim Robson

 

(Self Indulgence Alert)

I have some dark moments from my past that play on my mind. Where I feel an apology is owed to those that I hurt.

Awful relationships? Cruel jibes? Insensitivity? Missed birthdays? Can I get an amen from all those who know me. But let's get specific and name where a sense of atonement is most needed. 

I am truly sorry to those who suffered in the 90's listening to my various bands in the 90’s. Jesus! there were some bad gigs.

So - who gets the apology? Sadly few as my band didn't play Wembley that often. Well, not at all. We had a gig in Finchley once. Awful.

Tempting Alice, The Hare and Hounds, Brighton 1992

Tempting Alice was an indie, baggie type of band with decent musicians. I was the singer. At our penultimate gig, following my normal warm up of a few doubles, I decided to swing the mike around like Roger Daltery.  Inevitably a fumble occurred resulting in some painful microphone to singer’s head action.  End of Set 1 with singer on the floor. Set 2 opened with me now demanding I play guitar on one of my own songs. A sensitive folk ballad went down in flames in a hail of overwrought feedback as I pushed it all the way to 11. Overdoing Pete Townsend this time, my energetic wind-milling ending with the amp and myself falling off the stage. No one rushed to help.

Tempting Alice - let's not be shy about it; I was the heart-throb as well as the singer in this band.

Tempting Alice - let's not be shy about it; I was the heart-throb as well as the singer in this band.

 

The Pinter Boys, Amex Sports and Social Club, 1994

Two years later, I was leading a power trio. For this gig, I enlisted a Bez like tambourine player and my then girlfriend to sing harmonies. The Tambourine player had no rhythm and my girlfriend couldn’t sing. The bassist muttered darkly about Yoko Ono. Using a borrowed guitar that went out of tune on the first chord, I bludgeoned the audience by playing as loud as possible. The audience disappeared. The band played on. However, as I also edited the staff magazine, I gave the gig a glowing review.

Shambolic at the Norfolk, Brighton 1995

After some ‘musical’ disagreements, The Pinter Boys became Shambolic. Shambolic were my band and I was the lead singer and lead guitarist and Der Fuhrer. We deserved the – at first – disinterest of the sparse audience and then – after I broke not one, but two strings – their derision and boos. A real low in the history of live music. A truly shite gig. Captured on tape to my mortification.

Shambolic - battling the apathy of the crowd, fighting the growing drunkenness (on stage!).

Shambolic - battling the apathy of the crowd, fighting the growing drunkenness (on stage!).

Shambolic at Sussex University Free Festival, 1995

“Get off you wankers!” – an anonymous audience member.

How was this allowed to happen? How did those students so self-hate that they booked my band to play at their festival? Drinking my rider like a thirsty 70’s rock band, I took to the stage in what might be termed ‘high spirits’. At once abusing and pleading with the audience, I occasionally broke off my ranting to play a few songs. Mistake. Soloing on my knees at one point I managed to pull my guitar lead out to the biggest cheer of the set. The low light was an out of tune rock version of Kim Wilde’s Kids in America. The rape scene in Deliverance had more sensitivity.

 Shambolic, New Cross, London 1995

Backing up a band of 17-year-old wannabes, this New Cross audience wasn’t really in the mood to listen to a band seemingly made up of Status Quo roadies. I managed six songs before breaking a string prompting the venue manager, with enthusiastic cheers from a partisan audience, to tell us to get off (he may have used another word). London's never been a great town for my band. Tough audience.

 Shambolic at the Freebutt, Brighton 1995

Awful, shameful and embarrassing. Friends came, friends laughed, friends left. The highlight of the gig was someone from the audience standing behind me with a large sign saying ‘This Man Has No Penis’ as I soloed on oblivious. Briefly I thought I was bringing musical joy to the world. No, they’re just laughing at you Tim.

Shambolic at The Road House, Crawley, 1995

My, this was a lousy gig. In one sense, it was a success as we got out without being hit. I decided to play sober to up the musical quotient. And then I realised it wasn’t the drink that held me back; it was me. No one who was there – band, punters, staff – will ever look back on this night with pride. You should visit the Road House now to view the plaque put up after the gig which reads ‘Shambolic died here, on stage, 1995. Good’.

Road House. Shambolic died that night. Again.

Road House. Shambolic died that night. Again.

Shambolic at The Hare and Hounds, Brighton 1996

For the last ever Shambolic gig, I somehow got us booked to the scene of my downfall 4 years earlier. This time I made sure I was well and truly pissed before I plugged my Marshall in - provoking the inevitable ‘Can you turn it down mate’ from the barman. Off my tits, I missed out whole sections out of songs, fluffed every solo, sang out of tune, forgot the words and decided I was now more a ‘comic’ than a frontman. The gig ended with a ragged ‘Sweet Transvestite’ from the Rocky Horror Show before I sacked the other two members of the group live on stage. They didn’t look too upset.


My career in a rock band was now officially over. For those that saw these gigs, who suffered through that cacophony of dissonance and feedback I called music, I heartily apologise. They were shockers – drunken fiascos, self-indulgent and artistically redundant.

Sorry or not though, I miss those days.

 

October 12, 2017 /Tim Robson
Shambolic, Tempting Alice, Tim Robson
Bollox, Tim Robson
Parc Barbieux, Roubais

Parc Barbieux, Roubais

Inevitable Unions

battersea arts centre
September 18, 2017 by Tim Robson in Tim Robson

A few words on modern dating. It seems I return to this subject in most of my short stories. There's something magical, mysterious, maddening about the dance, the etiquette, the splendour of those moments when everything matters, anything could happen and someone special is involved. The course of love is, of course, neither straight nor completed oftentimes. But it provokes and pushes me to be a better writer. "Sad songs - they say so much."

Take some of my (entirely fictional) words on the subject. (All short stories and extracts @Tim Robson).

The Decline of the Dinner Party

Take the over 40’s dating scene. It transpires we never really get past the angst and exhibitionism of our teen years. Modern life – divorces, hook-up culture, porn – forces us to replicate the cycle over and over again. We may dress better, and drink wine instead of snakebites but, emotionally, we remain staggering around the teenage disco. Mullets, this time, are probably optional.

* * * 

Insignificance

“So, here I am, at The Thirst. Single!” The lady laughs again. Should I offer her a drink or ask her name? Not sure of the etiquette.

“When did you separate?”

“Yesterday. He’s staying in London tonight and the kids are with my mother.”

Christ! She didn’t hang about. But what with the newness of the pain and Gerry’s betrayal I sense she has a motive and I, well, a rare window of opportunity.

***

About Twenty Minutes

I turn over and she makes a suggestion. I have one or two of my own which leads to a rustle of falling clothes. From my wallet, I produce a roll of notes and lie back. Her skills match her beauty or does her beauty make me appreciate her skills more? I drift into semi consciousness gazing at her, analysing each seductive curve, enjoying the teaching certainty of every touch, wanting the moment to last but knowing it will not.

***

Bang the Beat!

Avice escaped me years ago. Her doppelgänger holds my hand now, challenging me into action. We’re alone in her flat, late into the night, both a little drunk. Who even has dreams over forty? Impossible dreams that are edging improbably towards reality? It’s now, Joss! 

Heart-beating, I lean in to kiss Ann. It feels right. The circle has turned. I’ve waited thirty years.

Thwack! Ann slaps my cheek and not softly. She lets off a high-pitched cackle.

“Easy there Grand-dad!” she hoots. “I think you just embarrassed yourself.” She gets up and disappears out of the room. I’m ashamed of myself. I make ready to leave.

Ann returns with a bottle of wine and two glasses.

***

The Bottle and The Sock

Our sentences collide. Kate looks at me, serious all of a sudden.

“I’m tired of playing games. Tired of pretending I’m cooler than I am, listening to good looking guys talk at me, being an object for inadequate men getting back at their ex-wives. It’s so exhausting.”

I know when to listen. Kate smiles. A sly smile.

“Can you to do one thing for me?”

“What?”

“I want you to stand on your chair, call for quiet and propose a toast to Donald Trump and let everyone know how much you love him.”

“Here?” I say scanning the hipsters swarming around us. “This isn’t a fly-over state, you know. People have been lynched for less.”

“Those are my terms. You can’t be a troll all your life. Sometimes you have to come out and say what’s on your mind. Defend your beliefs in public.”

***

The Winter Train

She laughed nervously and drank her wine, electing not to respond to this obvious move.

“I see, that’s how it is, eh?” he said. If he were younger perhaps, he would have attempted to win her over. But that wasn’t his way, these days. These days he was staunch and strenuous no more.

She stayed quiet hoping the moment would pass. Although she’d missed her train, they’d be another soon. To stay would be a mistake. She’d done the right thing by saying hello, by listening to him, buying him a drink. But now it was time to go.

“If we’d have met for the first time today, with no history, would we have got together?” he asked.

“I don’t think that’s appropriate, Tom,” she said reaching for her bag.

“I was just wondering because, I thought that, as you got older, men started to gain the advantage.” His voice was flat, resigned. “But that’s not true, is it?”

She had no response to this and so allowed the silence to grow.

***

Online Dating

“U iz wel fit! Lol!!”

It’s an unlikely cri-de-coeur, a rallying cry, a thought made flesh. Well; it’s a mating call. A distillation of all I know and all I am after two years of hard training. Let’s see what response it garners, eh?

I hit the ‘send’ button. Over the next half an hour I copy and paste this stunning message to twenty more ladies. Blondes, brunettes, professional, tattooed, coy, shy, bold, sexy, knowing, intellectual, smiling, frowning, slim, large. Whatever. Ain’t fussy.

***

In Sambuca We Trust

I know this is a prelude, a feint manoeuvre; faux outrage before she goes back to enjoy make up sex with him, sex that should have been mine. It will be hard to forget this one. The stakes were higher, the hurt is deeper.

And sure enough, five minutes later Megan is gone with a kiss for each of us. I shake my head bitterly. James is so pissed he doesn’t notice my anger. Or if he does he puts it down to the usual late night Alan mood – alone, failed, drunk, ranting. Yep – all of the above. I order two more drinks. Nothing like a hangover to solidify the also-ran, almost there, silver medal unfairness of it all.

The drug dealer passes me with a tall blonde. “I think you left your fishing rod on the dance floor mate,” he says as they leave.

***

In Between Days

“Okay, you can come back so long as you stay on the sofa and leave early. Is that clear?” She wags her finger at me. With history beckoning, I’ll agree to anything right now and so nod my head.

But on the walk back to her house, it’s not too far, we hold hands and it’s natural and unforced and lovely, and I am once again the man I always wanted to be, the man who is seen as interesting and desirable by someone who is likewise. Our stars are hitched, our steps in tandem, and we gently skirt around the edge of possibilities. Whatever happens, happens rightly.

We sit side by side on her sofa - the lights dim, our breathing rhythmic - and the smell of her perfume, and the closeness of her body, is alarming, nostalgic, shocking even. Erotic in a way I’d long forgotten and never expected to experience again. I allow that most dangerous of emotions, hope, to suggest itself.

 

 

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Yes I've used this video before. I love this song. And it kind of encapsulates - better than I do - what I want to say. I dryness in the throat as you gulp down nostalgia. I was there. Once.

September 18, 2017 /Tim Robson
love, romance, Dating, Tim Robson, Everything but the Girl
Tim Robson
Disgruntled Sky customers storm Customer Services

Disgruntled Sky customers storm Customer Services

The Visible Slap

battersea arts centre
April 18, 2017 by Tim Robson in Bollox, Tim Robson
“For unto every one that hath shall be given, and he shall have abundance: but from him that hath not shall be taken away even that which he hath”
— The Parable of The Talents - Matthew 25:29 (KJV)

And lo! My bitching and moaning got my wifi sorted.

8:30am Saturday morning a good BT engineer turned up. Often they are shit and uninterested. You're just a number. Not a name. They turn up, fiddle about and then leg it knowing the thing ain't gonna work and that some bitch in customer service is going to get a thrashing.

Rightly. 

I can't help feeling my thermo-nuclear eruption on Thursday had something to do with my resolution in record time (still late, of course). My non sweary rant had me 'personally' go for the customer service rep. I alluded to the fact that Sky tape their calls and hoped her manager would be playing this back to them soon. And how it should be used in their annual appraisal to determine her annual pay rise.  I made my formal complaint against both Sky and the customer service rep. Unfair perhaps? Random - certainly. Cruel? NMFP.* Effective. Yes. 

By the way the rep was confrontational, incompetent and insensitive.

All my years in customer service has proved to me one thing; he who shouts loudest gets their complaints dealt with soonest. It shouldn't be that way but nine times out of ten it is. 

It's only when people are personally engaged that you get great customer service. From a company stand point that means allowing the front line to override policy if they deem it necessary. To reward regularly and comprehensively incentivise the front line.  From a customer point of view you need to get names, set deadlines, invoke complaints policy, make it personal. Only then will you be taken seriously.

I'm basically on a one man altruistic mission to improve Britain's utilities. Eliminate errors, drive down costs, improve efficiencies, cut down-time; compete globally, bring wealth to the country, bolster tax revenue and simultaneously reduce tax rates whilst increasing spend on social necessities.

The parable of the talents is one of the strangest biblical parables. It seems Jesus is a Gordon Gekko capitalist - 'Greed is good, greed works, greed clarifies!' A little bit like the Samaritan quote that got Thatcher in so much trouble in the 80's (wrongly). 

Driving costs down is a moral mission, brothers and sisters.

No, I'm not pissed.**

 

 

 

* NMFP - One of my favourite Malcolm Tucker-isms - Not My Fucking Problem

**Yet

*** The Visible Slap - The Invisible Hand!!! Geddit? I do stand up too.

 

April 18, 2017 /Tim Robson
Sky are shit, Customer Service, Joan Jett, Parable of the Talents
Bollox, Tim Robson
"Where's your fuckin' tool?" - "Sorry mate, Sky's borrowed it." 

"Where's your fuckin' tool?" - "Sorry mate, Sky's borrowed it."

 

Literally; bend over and take it!

April 13, 2017 by Tim Robson in Bollox, Tim Robson

Over the course of my working life I've had many jobs. Let me list a few:-

- Corporate Real Estate Portfolio Manager

- Boss's bitch

- Gigalo

- Paper Boy

- Customer Service Rep

- Parliamentary aide

One of those may be made up...

But customer service rep... Customer is always right. You never win an argument with a customer. You love a complaint as it allows you to turn an unhappy customer into a happy customer. Blah. Blah. Been there, got the T-Shirt. I remember manning the phones for American Express in my early 20's on a Sunday Morning with a proper hangover getting chewed out by Mr Angry demanding to speak to the CEO. "Come off it, big boy; it's just you and me. What do you want, and do you mind if I put you on hold whilst I throw up?"

Yeah.

Anyway, I've had the unlovely pleasure of moving recently. That entails getting wi-fi transferred. As it happens, one of my earliest blogs on this site (Jan 2015) compared the wi-fi / BT Open Reach / Sky 'not me gov' fuck up approach to Britain in the 1970's and - specifically - nationalised industries. Well - do I ever learn?

BT. Sky. Yeah, guys, between you, you fucked it up royally - again! The surprise is, er, no surprise. Four weeks notice? Days off work? Unhappy children? Missed appointments? Useless engineers? Snide customer service reps talking bollocks.? Yes, let's tick the box on all of these. Oh - and can we welcome into the building that feeling you get where the customer is just the bitch in some gay porn shower scene? I guess I dropped the soap by moving...

I foolishly invoked Sky's Customer complaints procedure today... Asked for a manager. Told them I was making a formal complaint and that they had 24 hours to respond and give up on their  'an engineer will turn up in three weeks' bullshit. And do you know what? They showed as much respect to me as the hillbilly in Deliverance shouting 'squeal piggie' whilst analising Ned Beatty. No - you can't speak to the manager. Of course not! He's too important and too busy counting his bonus. We'll respond in 56 days. Which is about the same time as it takes to get wi-fi in this country moved from one address to another. With Sky.

Why didn't the EU ever do something useful like KILL BT, for example? Open up the market and get wi-fi transferred quickly? Bring in the free market? I might have voted for them if they did  (well - not really). But you know what I mean. Being without wi-fi in 2017 is like fighting the invading - and gun toting - Spaniards in South America with spears. You lose, you get humiliated.

So - Sky's customer service policy:-

"Bend over, spread yourself; its gonna hurt and you're gonna pay for it too!"

Where's the free market in all of this?

 

April 13, 2017 /Tim Robson
Sky are shit, BT are shit
Bollox, Tim Robson
Trolling. An attractive look.

Trolling. An attractive look.

How To Troll

Battersea Arts Centre
April 04, 2017 by Tim Robson in Bollox, Tim Robson

I love trolling. What's trolling? Basically the deliberate act of winding people up online via newspaper website comments boards. Getting some tedious 'the science is settled' lefty impotently raging gives me the horn. 

So how does one do this successfully?

1) Pick your battle ground. Obviously The Guardian website is the gold standard of trolling. It's where virtue signalling lefties come to feel good about themselves. My role is to make them leave a little less smug, a bit more angry.

2) Never read the article you're commenting on. Let's face it, The Guardian is just rag a for journos who never grew out of sixth form 'it's not fair' agitprop. I can guess their viewpoints by the headline. The only originality is how ridiculously leftwing and authoritarian they can get. Blah blah blah. Ignore. Just fight the fanboys underneath.

3) If you have good arguments, use them. Show off. Pull apart threadbare assertions, expose ignorance, exploit contradictions. Make your arguments short, pithy and - most important - deliberately provocative. Earnest discussions are for bores. Take your point and simplify whilst amplifying. This acts like catnip to lefties; they can't resist piling onto a forbidden viewpoint. A full throated support of Trump usually works.

4) More fun - play the man, not the ball. It's so unfair and exasperating but it's guaranteed to get your target hopping mad as they fall off their high horse and scrabble around in the dirt with you. 

5) Use humour. Lefties hate humour. They have this smug, condescending de haute en bas kind of sneer which - on the BBC and Channel 4 - passes as humour. Not to be mistaken for real humour. Doesn't work with a hostile audience. Drag your target from the comfort of a Radio 4 panel show circle jerk to a working men's club in Sunderland and 'did you spill my pint, mate?'

6) Create straw men and a fictitious mythology about your target. I owned one self-righteous lefty by constantly suggesting he used to work for Stephen Byers - the dreadful ex-Blairite cabinet minister (nothing more insulting to a Wurzel follower). They tried ignoring me, laughing it off, attacking me, using appeals to authority and then just outright fury. I win. You lose. Loser.

I call this strategy the 'Shakey' strategy. One ex-colleague made the mistake - just once - of coming to work wearing double denim. I made up this whole back story about how he was Shaking Stevens' biggest fan. It used to wind him up but he thought that by playing along with it, or laughing it off or ignoring it, I'd stop. Yeah, right.  I'd be on a call and say "Sorry, I can't hear you as XXX is playing fucking Green Door at top blast again." From then on he was known as the Shakey guy by all. He left. We don't keep in touch.

7) Dicking about with people's online moniker's is always fun. If you can twist it to something obscene - great! If not change it to something funny. Or juvenile. Diminish your target by making them ridiculous. Although everyone pretends to be high-minded and want to follow a debate, if you change someone's moniker from 'love_Corbyn' to 'love_farmanimals' no one will take them seriously again. I win. You lose.

8) If all else fails, just go for straight out abuse. Something like 'I can hear the rustle of tin foil', 'did mummy let you use the computer again?', 'Isn't it time for your meds?', 'Shouldn't you be at school', 'Does it hurt not having a girlfriend?'... Low but effective.

9) Parroting. Just copy and paste your target's contribution but change a couple of words so the meaning is the opposite of that intended. Then end it with a jaunty - 'fixed it for you!' Keep doing it and ask them how long they've been a member of UKIP posting such right wing tosh.

10) For people who write pages of tedious shit bloviating about a subject in some lawyerly or condescending manner, just attach a comment at the bottom - like a teacher - 'Too long. Learn to be more succinct and people might read your stuff'. For the serious minded this triggers them like nothing else. You can then move to employ mockery or straw man whilst changing their moniker to something stupid or rude.

This may seem pathetic, girlfriend displacement activity but those cultural wars need to be fought. Mad ideas need to be challenged by all means necessary. Ridicule and mockery are actually serious weapons. All dictatorships hate humour. For in humour we find truth and the truth is often not spoken about whereas false narratives (like the emperor's new clothes) abound. Banned. No platformed. Fight. Fight the power.

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April 04, 2017 /Tim Robson
How to Troll, Bob Dylan, Troll
Bollox, Tim Robson
Long ago and far away

Long ago and far away

Me & The Devil

April 03, 2017 by Tim Robson in Tim Robson

Bye bye Warelands. 

Some blues.

Deep voice - must be serious. It's the last kitchen tape from this house. The Beatles leave Abbey Road. Elvis has left the building. Tim leaves Warelands... 

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April 03, 2017 /Tim Robson
Robert Johnson, Blues
Tim Robson
Tim Robson - pushing away the girls in lycra (not pictured). Battersea April 2017

Tim Robson - pushing away the girls in lycra (not pictured). Battersea April 2017

Rocking The Ides of March

Battersea Arts Centre
April 03, 2017 by Tim Robson in Tim Robson Website, Tim Robson

Famously Caesar was warned by a soothsayer to beware the Ides of March (approx 15th March). He ignored the soothsayer. You know what happened next. Probably - if you asked the spirit of Julius about his view of March - I suspect it would be along the lines of:- 'Not my favourite month to be honest, prefer July actually'.

But me? Well March has proved to be a record breaking month for this website. More of you have read my street philosophy - with more visits, more followers, pages views; basically, more of everything, more than any other month like - evah! Bigly. Even with the usual stalkers discounted, the graph of my fame - for that is what it is - is off the chart. Well it would be if I hadn't recalibrated the scale, but you get the point. 

Now, as a man of introspection and self reflection, I could ask, why.* However, I prefer to ask, 'why not'? But let's turn the telescope the other way and look at why. Well, I started my 'Things I don't give a fuck about' series in March. Hardcore writing promoted on Facebook. Dragged in the punters like a stripper in an after hours Rochdale pub. Then there was the Chuck Berry's obit. Serious. Measured. One string bender to another. Remember the video of Tim playing a medley of four favourite middle of the road songs? One for both the ladies and musicians. What's not to like?

Bizarrely though, the most popular blog post was something I wrote in December about Mick Taylor playing Sympathy for the Devil on Get Yer Ya Yas Out with the Stones. There were loads of website hits from the States for this piece of stellar rock history. BTW, if you haven't read it yet (why not?) go and search it out. Fun, opinionated, well researched with a decent video at the bottom, it's by far the most popular thing I've ever written. Not the best though. My recipe for Beef Ragu still brings tears to my eyes (the honesty, the flavour. I rock in the kitchen).

So - as the Monday night running club hums around me here in The Battersea Arts Centre - lots of lycra, lots of girls** - I must put March behind me and rock into April. 

There's stuff about April. Me and April. April in Paris. Long, long ago. Get me pissed enough and I might write about it, here in the record breaking Tim Robson blog, Click that RSS feed now!

Until then, cheers, I couldn't have done it without you (break records that is, the writing I could have done on my own, but you know what I mean). 

Cheers

(See the video below. Sort of this blog set to music - silky, hip, ethereal; probably better 20 years ago.)

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* Just joking - shallow and inane. That's how I like it!

** Some random 40 plus nerd is wandering around the young girls in lcyra in his running shorts, leching. They ignore him. Like, doh! What a prat - mate, just put them in your bank and move on.

April 03, 2017 /Tim Robson
Tim Robson, Simon & Garfunkel, Mick Taylor
Tim Robson Website, Tim Robson
Doing the white man overbite one more time - Tim Robson

Doing the white man overbite one more time - Tim Robson

Things I No Longer Give A F*ck About - Dancing

March 16, 2017 by Tim Robson in Tim Robson, Dating
“We dance to a couple of tracks. About 10 years ago, I learnt the art of looking okay whilst dancing. Less is more. Kind of sway and essay a few small but rhythmic swishes with the arms. Nothing flashy but nothing ridiculous. The aim of the game is to keep female interest neutral. The dance test is there to weed out the drunks and the arseholes. It’s not there to impress a girl so the trick is to avoid succumbing to the masturbation of your more expressive moves. No matter what beer or bravado might tell you.”
— Tim Robson - In Sambuca We Trust

What happens when your dancing days are over? When you jerk awake to find yourself on a dance floor - drunk (t'was ever thus) and surrounded by people half your age sniggering at some bald granddad making a penis of himself?

Oh readers, this epiphany happened a couple of weeks ago. After a heavy session in Brighton I 'found' myself on a dance floor staring at my feet realising that all sense of rhythm and dignity was absent and that I was a figure of ridicule. One foot moved. And then the other. And the arms kinda did their own thing. Neither timing nor beauty was achieved. Just lumpen dad dancing.

And thus mortified, my sober self came to a pact with my drunken self. Dancing; it's something I don't give a fuck about, anymore. Back in the day, you know, 16-30, if you wanted to meet a woman then the disco (club now grandad) was the place. And getting down on the dance-floor was where it was all at. I remember the days when porting a bottle of beer and cigarette on the dance floor was the height of cool (maybe shades too). And then the 'erection section'... That's the last dance to you young people, when the DJ would play a few slow ones at the end to facilitate the evening's romances.

But not anymore. You see, number one these days is my looks (clearly). Most women come onto me because of them. Naturally. But, for those that don't - few, weird - my major selling point is verbal. I wrap my partners in a blanket of humour, knowledge and experience. They know they'll be okay with me. Looked after. 

But dancing. It's no longer within my repertoire of seduction. I've retired this particular aphrodisiac. It's been growing in me for a while. Obviously my friends and I go to 'age appropriate' clubs these days. You know, basically late night bars with a small dance floor, a DJ and blokes in suits and girls of a certain age, not unaware that older guys might have a roll of cash on them. 

“I suggest Megan and I leave the dance floor. Drug dealer is still flanking the edge, now looking a bit meaner, a bit harder. I’m sure he likes to get stuck in, show some steel; impart the leather. He steps in my way as I attempt to pass. He smiles in a ‘man of the world’ way I could never pull off. It’s all a game to him. Everything here is mortifyingly serious for me. ”
— Tim Robson (In Sambuca We Trust)

And yet. And yet. Maybe it's a place-time-mood thing. Getting down / strutting my stuff seems easier in the summer, feeling slim and wearing my mate Dan's Hartington floral shirt. Yeah, all over that like a rash. So, so, maybe, dancing is not yet in the Things I Don't Give a Fuck About just yet. If - like Glenn Miller - you're in the mood. Not pissed. Toned. With the right girl. Maybe I could bring this technique back from the dead. Show those youngsters how a 'Like a Virgin' era Madonna fan used to do it at Tiffs in Rochdale in the early 80's.

“The music changes. Nirvana’s ‘Smells Like Teen Spirit. William starts jumping around like it’s 1991 again. I do too. Big mistake. Suddenly the floor is filled with pogoing Neanderthals. All the women have fled, leaving a horde of sad, drunken men air guitaring. How attractive do we look? Not very. ”
— Tim Robson (Route One)

I'm conflicted. Aware that I could look like an arse but also aware that, in the right setting it's who you are, firstly, and then it's who you want to be. Some say your dancing style is analogous to your love making. I'm good. Sooo good. I got moves. Just a bit rusty, yeah. 

And that dear readers, is my take on dancing. And now some Shakey. My dance teacher.

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March 16, 2017 /Tim Robson
Dancing
Tim Robson, Dating
He delivered. Phil Brown.

He delivered. Phil Brown.

Things I no longer give a f*** about (1)

battersea arts centre
March 06, 2017 by Tim Robson in Tim Robson, Bollox, sport

So I'll start with sport because that was really important to me but it's now less significant than a trip to the barbers with a picture of paul mccartney in my hand asking if I can look like this and coming out looking like a fuzzy egg instead. sport was really big with me in the 70's and the 80's when it all seemed to matter and things and life were more real and went onto to become memories and not regrets or worse nothing. i supported liverpool from bob paisley's time - keegan, clemence, case, hughes, heighway - you'll never walk alone - but had a season ticket at man city in the year they bought Trevor Francis for over a million, you know a couple of years after cloughie paid a million and forest went onto win the European cup. euro success was sort of relay race in those days as Liverpool forest villa swapped who was the boss club which reminds me that Liverpool won the European cup in rome in '77 against Borussia Mönchengladbach with nine english players, one irish, one welsh. the players in those days came from the cities around the ground and cared about the club weren't removed in big houses in cheshire with agents and hangers on and wags and spit roasts but seemed decent blokes you'd meet down the pub and watch a game with*. rip brian greenhoff. yes I used to care but now i don't. and then ovett coe and then ovett coe and cram and don't forget peter elliott tough of the track yorkshire man who made it hurt for the others and had more balls than any runner i've ever known except kris akabusi who went toe to toe with the american individual gold medal holder on the last leg of the 400m and beat him. kinda did that phil brown thing and BTW there's a phil brown road around here in an estate off wandsworth road. but ovett and coe were the class in a glass trading world records and gold medals other countries' runners were just filling up the quotas in their races. but that's all gone now and i hate athletics as all doped up cheats and i hate football as all overpaid mercenaries falling in the penalty area and what would tommy smith or ian gow have made of these ballet dancers - ripped them off at the knees and taken the red like a man throwing their shirt on the pitch in disgust and served their three match ban like men whilst worshipped by the terraces and winked at by the manager who probably graduated through the ranks themselves. yes terraces all gone now after bradford after hesel not the fault of the fans the fault of the greedy clubs who take the money and despise the fans the passion the loyalty. doesn't matter now all about tv revenues and far east shirt sales and marketing rights and buying players abroad rather than give kids here a chance and nurture talent. greedy bastards. so i no longer care about sport not about football not about cricket hate rugby athletics golf and in fact any fucking sport sorry sorry but i find it all rather pointless and contrived. i'm aware that somewhere something is missing and that some moments stick in my head that make me cry and make me yearn for those days when the cop ruled and when we had the best runners but do you know what i don't miss sport i don't have the time for sport and i don't have the energy for sport and so sport would be the first thing i no longer give a fuck about...

But if I ever met Steve Ovett. Or Seb Coe. Or Steve Heighway. Kevin Keegan. Ray Kennedy. Iain Rush. Phil Neal. 

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Brian Greenhoff used to drink in the bar where I worked. Always down to earth, good to chat with never gave it the I'm a star treatment. He was a man who liked his drink, his fags and had some good stories to tell. RIP Brian - there's some great Youtube moments out there.

March 06, 2017 /Tim Robson
Brian Greenhoff, Liverpool fc, Phil Brown Runner, Tommy Smith
Tim Robson, Bollox, sport

Bricks and Mortar

battersea arts centre
February 10, 2017 by Tim Robson in Bollox, Tim Robson

One of my date destroying, oh is that the time, passions is urban architecture and how cities change over time.

I’ll explain.

Take a large corporate plc with many employees. Staff come and staff go. There is no such thing as ‘the staff’ over any period of time. There can only ever be a snapshot of employees at any given moment.

As Pocahontas said – I paraphrase – you never can put your hand in the same river, it is always flowing, always different. *

It is the same with urban architecture. Cities constantly change and the only thing that tricks us into thinking they do not is that bricks and mortar typically change more slowly than humans (or rivers) and so we don’t see it.

When I was eleven, I used to walk through a housing estate on my way to school. Every day I would pass a house -  a house where a rather large extension was being built. Day after day, I would trudge past with my briefcase and French horn and for a few months, this state of incompleteness was my experience of this house and this journey. Now, of course, the extension has been built for thirty odd years and has taken on a look of permanence. But I remember a time when it wasn’t there and a time when it was incomplete. My ‘snapshot’ is different to most.

Stuff in transition is more interesting than in a resting state.

Battersea Power Station 2016. Yep, just one chimney, not four. It now has three. Before having four again. Transition. Photo TR

Battersea Power Station 2016. Yep, just one chimney, not four. It now has three. Before having four again. Transition. Photo TR

Old pictures of Rochdale, Brighton or London, for example, excite my interest. I found a picture once of the Houses of Parliament being built in the 1850’s with Big Ben only partially constructed. How the Londoners must have marvelled and how that incomplete tower must have been their reality for months, if not years. History literally in the making.

So urban architecture in transition is always of interest to me and if I see something being built or changed I try to snap a picture and record that moment of transition between one solid state and another. Capture the ephemeral nature of the built environment.

Unsurprisingly given the above, I did a master’s degree in portfolio management in the 90’s and, as part of it, authored many theoretical projects to develop the South London and Brighton built environment. This was an interesting period – right after the property crash of the early 90’s – and there were many underused or derelict sites lying undeveloped, in places we would now see as property hotspots.

A partially built i360 in Brighton late 2015. Photo TR

A partially built i360 in Brighton late 2015. Photo TR

I especially remember the site at the bottom of Edward Street opposite The Royal Pavilion in Brighton. It had been a derelict shell for years and was being used as a temporary car park.  My limited proposal was to build a hall of residence for the polytechnic (Brighton University now) as you couldn’t give away flats or office space in those days. But what’s most interesting now to remember, is that this site – right in the heart of historic Brighton – lay abandoned for years. It’s hard to imagine now, but cities ebb and flow with the years; we, who live in them, just don’t recognise this.

Long ago. Things were different.

Long ago. Things were different.

An interesting aside to this period in my life was that I was in charge of real estate for American Express Corporate Travel - the division with the largest portfolio of space in the UK. When the lease of the HQ building in the Haymarket ran out, I was tasked with acquiring the replacement. I found it the time-honoured way by walking around the then unfashionable district of Southwark - south of Blackfriars Bridge. This was the real old London experience where you could still imagine the Ripper stalking through the narrow streets of tall warehouses, wielding his knife on unsuspecting late night revellers.

I acquired a building on Blackfriars Road that was – in Amex terms – incredibly cheap. At that point the Jubilee Line extension hadn’t been completed and Southwark tube station – just yards from my building – wasn’t yet complete, let alone open. Today the area, with great tube links, is a thriving commercial part of London but when I was in the market, it was a backwater, and - as some eminent real estate professor at my university told me - like the perennial late night black cab driver - no-one wants to go South of the River!

Walking past ‘my’ building these days, I experience several emotions. Firstly, pride in my accomplishment, of course. Then, reflections about how this decision influenced hundreds, if not thousands, of lives. People met people, people left people, new jobs, new connections. Oh, the power! Yes, the beginnings of my nascent God complex…

But what strikes me now - as I walk around - is the contrast with my first impressions of this central London area, next to the Thames, that – 20 years ago - had no tube, no intrusive glass towers and no high rise and unoccupied apartment blocks. No wanky baristas in small batch coffee shops. Back then, the area was covered with post-war Corbusier-inspired brutalism, but also, some rather marvellous backstreet pubs filled with growling cockneys and cigarette smoke. All gone now.

It’s not just buildings that change the character of cities!

In that period – mid 90’s - I couldn’t give away office space in Argyll Street or New Bond Street. Can you imagine that? I’d go up from Brighton to meet the agents – in Brook Street no doubt - who’d tell me how my space, right opposite the Argyll Theatre, amongst all the high-end fashion shops, was difficult to shift.*** That I’d have to lower the price and give rent free periods. Them was different days! This was before the internet really got going and everyone became their own start-up.

Property – in particular commercial property – exists in periods of feast or famine. Under supply and over demand lead to oversupply and under demand. And the cycle repeats itself. It’s like some visible manifestation of capitalism.

Here in Clapham I walk the same route up and down Lavender Hill / Wandsworth Road twice a day. I get to see the urban environment incrementally change. Scaffolding erected, demolitions, gangs of labourers, white vans. For instance, the nearly complete new Premier Inn off Cedars Road. The whole of the last year this old temple / church has been patiently restored and extended. Even the derelict Victoria pub next door has been spruced up for a new leasee. It looks good. **

And the point? For me, it’s stories, it’s backdrop. Someone once said that it’s almost impossible to write a history of an event because history is not neatly divided. There’s always a back story and there’s always consequences afterwards. The same applies with the built environment. And so it reveals to me stories. Streets challenge complacency, they show progress (or regression). But the urban environment is never still, never complete.

By this time, my date has left and I’m left with the bottle and the sock. T’was ever thus.

 

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Notes:-

* The wisdom of Disney. I use the best and I use the rest.

 

February 10, 2017 /Tim Robson
Milltown Brothers, Architecture, London
Bollox, Tim Robson
yohanna.jpeg
taylor.jpeg
mick Taylor.jpeg
lucie.jpg
Neil.jpeg
vivaldi.jpeg

Top 25

November 27, 2016 by Tim Robson in Bollox, Music, Tim Robson

I thought I'd take a look at what my i-tunes says are my top 25 tunes. My i-tunes takes input from the following:-

  • The computer itself
  • My i-phone
  • My kids ipads
  • The ipod in the car

So therefore my top 25 tunes are not purely my tastes. Luckily for me, my girls play - and then over play - a particular song, and then never play it again. I'm a bit more constant in my likes!

To get in my top 25, you have to have been played at least 106 times (Henry Purcell - Rondeau). To top the charts, you need 265 plays (Vivaldi - RV535 iV Allegro - concerto for 2 oboes). 

What do we find in the list Tim?

Vivaldi - 7 'tunes' or 28%

Lucie Silvas and Taylor Swift are the only other artists that appear more than once (2 each).

Classical - 11 tunes or 44% (as well Vivaldi, Henry Purcell, Beethoven, Elgar and Debussy)

0 Beatles. In fact the nearest Beatles song has 'only' been played 46 times (their final rooftop, complete with police, going-down-fighting Get Back).

1 Stones (live Street Fighting Man 1971)

1 Coldplay (Viva La Vida - Tiberius? Constantine? Pilate?)

3 definitely from my girls (Taylor - Shake it Off and Blank Space, Iggy Azelea - Black Widow)

1 from Iceland - Yohanna Funny Thing Is

0 Elvis (The highest Elvis - at 32 plays - is the rather mawkish Don't Cry Daddy)

Randoms - Neil Diamond (Glory Road), Red Hot Chili Peppers (Save the Population), GRL (Lighthouse), Todd Rundgren (I Saw the Light)

Dance - Matrix & Futurebound - Control

Most recent addition - Shania Twaine - You're Still The One. Added in February 2016. 110 plays.


So what does any of this prove?

  1. I'm commuting again. I tend to listen to classical and Vivaldi on trains
  2. The top 25 played (apart from Elgar, Vivaldi and Lucie Silva - Breath In) doesn't match up with my self-defined favourite songs.
  3. I'm self-amusing again. Sorry. Music is important to me!

More updates next year when I reveal the shocking news that Vivaldi totally takes over the top 25 list (and he might, looking at the many, many concerti bubbling just under the top 25).

Split pea soup for lunch.

Tim

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November 27, 2016 /Tim Robson
Yohanna, Vivaldi, Taylor Swift, Todd Rundgren, Lucie Silvas
Bollox, Music, Tim Robson
Tim Robson. The modelling years.

Tim Robson. The modelling years.

Brighton Beach Scumbag

Battersea Arts Centre
November 20, 2016 by Tim Robson in Nostalgia, Tim Robson, Brighton
“This could be the saddest dusk I’ve ever seen
Turn to a miracle, high-alive
My mind is racing, as it always will
My hands are tired, my heart aches
I’m half a world away.”
— Half a World Away - REM, 'Out of Time'

Memories of early 90's Brighton

Out of Time

Michael Stipe of REM noticed that any given fan's favourite REM album tended to be the one that came out straight after that fan graduated from college.

My fav REM album is 'Out of Time' - as near a perfect album as ever made. And yes, it came out the year after I graduated. REM have just reissued and repackaged a 25 year anniversary edition of Out of Time. I played it again today. Still sounds good. But I've never drifted away from it. It's one of those very few albums that form the core of my musical taste. I probably consciously play the whole album through once a year - every track.

When Out of Time originally came out I lived in small flat in the Kemptown area of Brighton*. On the way home from my job, job, I used to stop off at The Hand in Hand pub, and - in my memory anyway - Out of Time was always playing.

Awkward Pivot and Segue

Brighton's changed pretty drastically between then and now. Whilst it still maintains the old Regency squares and buildings, the pier and the pebbly beach, it has been infilled, taken over, gentrified, redeveloped, stuffed full of wanky coffee shops and i360's. It always had a certain kind of Bohemian hipness - a post-war Berlin vibe where anything goes within the bubble. Well not anymore - it's corporately trendy. And that isn't the same thing at all. 

Yeah, I know I sound like a things-were-better-in-my-day drone. Let me carry that burden, readers, for the road is long. With many a winding turn.**

The Brighton of the early 90's was still seedy, much more parochial than now, bathing in the afterglow of Graham Greene, with wide open derelict spaces right in the centre of town (it wasn't yet a city). There were loads of uneven car parks where buildings had been demolished (or bombed) but there was no money to redevelop. Shops were closing down. Even the main shopping centre was falling apart. The UK was in the middle of a recession. Our 'now' culture forgets that stuff happened before Brexit. Yeah - we've had recessions even before 2008. The shock, eh?

Brighton still returned two Tory MPs at the 1992 election, as did Hove.

The pubs in town pretty much still had their original names and weren't the marketing confections they'd later become but real boozers. I remember one - The Bath Arms - still there right in the middle of the Lanes. The furniture was all shabby - I remember always sitting on the same saggy and ripped sofa. Now add to this faded glory the ever present waft of cigarette, pipe, cigar smoke which fugged the air, and clung to your clothes and hair. Yes, pubs had a real atmosphere in those days!

In my mind's eye, it was either a dreary wet winter's evening or a fabulous summer day. No in between. Shuffling around in a black denim jacket, through the rain, taking shelter in a derelict shop front, maybe accompanied home by some girl I'd just met in The Basement nightclub down on The Steine. Well, the club's all gone and I never saw the girl again. She was called, er, Anna? Maria? Don't worry she won't mind my confusion; I told her my name was Bryan.***  (Yeah - see my October 18th blogpost about this girl. So I turn my life into stories? Sue me!)

Hove Lawns and the (near) complete West Pier December 1993 from my balcony.

Hove Lawns and the (near) complete West Pier December 1993 from my balcony.

For a couple of years I lived in a fabulous - landmark -  four bedroom flat at the bottom of Grand Avenue in Hove. Private car park, internal lift, brass fittings, front and side stone balconies overlooking the seafront, two bathrooms, cricket pitch sized internal hall. I paid £137 a month and the landlord - trying to sell the flat -  just couldn't give it away. The price was around the £130,000 mark, I seem to remember. 

I enrolled in night school and got myself an A level in Theatre Studies. If I have a fault - it never takes much for me to fall into pretentiousness. Now imagine me doing a Theatre Studies course - pursuing a theme through Strindberg, Stanislavsky, and finally Steven Berkoff.  I seem to remember being at the premier of Berkoff's Brighton Beach Scumbags at the Sallis Benney Theatre October 1991... I suspect I was tumbling up my own arse at a furious pace.

(My girlfriend at the time complained I was often 'theatrical'. I acted all upset about this and stormed away to write a song about that very conversation. What an absolute, horrific nob!)

I formed a band. We played in all the shitty Brighton pub venues for no money. I named us Charlotte's Treat (after Charlotte Street in Kemptown) before changing the name to Tempting Alice.  When the band broke up I started - and ended - my solo career in The Great Eastern pub, Trafalgar Street, autumn 1992. As it was next to Brighton college I managed to get quite a few of my drama classmates to attend. Unfortunately for my self esteem, one of the few other blokes on the course chose this exact moment to announce he was coming out. Selfish bastard; I played on oblivious. No one listened. Or clapped. And I broke a string. Afterwards, I pocketed the £20 and never played a solo gig again.

Tempting Alice with Tim Robson centre (stage)

Tempting Alice with Tim Robson centre (stage)

Out of Time?

“There is still a city with the same name, and there are streets with the same name too, in the same locations, but what happens there is so transformed, in thought, word and deed, that it is not the same place. Is it better, or worse? I cannot not really tell. It is certainly different.”
— Peter Hitchens - Sunday Express 11/11/16

Interesting that Hitchens was writing (beautifully as ever) last week about Oxford in the context of Leonard Cohen whereas I chose Brighton in context of REM and Out of Time. I started writing this piece back in August but because I thought it was a solipsism, a vinegar stroke of an article, I never published it. I've attended to it, edited it, changed parts, deleted much in the last three months however. And my conclusion?

The music still plays. The buildings are (mostly) still there but the streets beat to a different set of people. Who I knew, the relationships I had, gone, absolutely. Failed domesticities. The friends, dispersed, mostly not lamented. The work, ignored at the time, forgotten now completely. Occasionally, turning a corner in Brighton I encounter the shiver of yesteryear's ghost. Just faintly - 'like an ill-remembered character from a novel read years ago, or the strains of a once familiar melody playing softly in another room'.**** But mostly, the past is a different country and, more than that, half a world away.

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NOTES

* When I say Brighton, I mean both Brighton and Hove. Although their characters are quite different, I moved seamlessly between the two. Of course, they are now joined as one city.  

** Fun fact - Elton John played piano on The Hollies - He Ain't Heavy He's My Brother. Why I sledgehammered that reference in, who knows. How unsearchable are my judgements.

*** Bryan Robson. Geddit!!! Oh, I was a hoot in those days. For youngsters - he was a footballer and captain of England when I cared about this.

**** @Tim Robson - The Song of Vivian. I apologise for quoting myself but sometimes - not enough - I am a fucking great writer.

November 20, 2016 /Tim Robson
Brighton, REM, Out of Time, Peter Hitchens
Nostalgia, Tim Robson, Brighton
Septimius with Caracalla and Geta

Septimius with Caracalla and Geta

The Children of Septimius Severus

The Woolpack
October 23, 2016 by Tim Robson in Short Story, Tim Robson

A somewhat pretentious title, no?

That's deliberate.

Today I start a new feature where I actually start to publish my own fiction. Yes, it's free to read. It's like I drank from the socialist Kool-Aid or something. Get it whilst it's lukewarm.

The Children of Septimius Severus is an especial favourite of mine. As well as sending up myself, it takes the piss out the whole self-publishing, literary agents/gatekeepers scene. I've moved on from this now, I hope.

Mostly though, I hope you find it funny. I aspire to literary greatness but, like with most things, I'd settle for just being funny. Just however is a very BIG word.

Let me know what you think!

CLICK HERE TO READ

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October 23, 2016 /Tim Robson
The Children of Septimius Severus
Short Story, Tim Robson
Tim Robson: The Polo neck years

Tim Robson: The Polo neck years

Fixing To Leave

October 13, 2016 by Tim Robson in Tim Robson

13th October song.

If you know, you know.

Otherwise enjoy my songwriting abilities circa 1990.

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October 13, 2016 /Tim Robson
Tim Robson, Fixing To Leave
Tim Robson
Comment
The caption writes itself...

The caption writes itself...

Revealing Myself

Battersea Arts Centre
October 03, 2016 by Tim Robson in Tim Robson

There I was... Pure of thought, deed and inclination. Eschewing the ephemeral, holding back the dogs of social war, elevating my sights to something better, something more wholesome. But then I fell readers, I fell.

I'm talking, of course, about that freak show, that parade of inadequates and emotional incontinents we call Facebook. 

I resigned as you well know. Sick of modern life. Tired of the trite and the easy path.  The unwisdom of the crowd. I wanted to switch off modern distractions, write, read and become the best version of myself. Or some shit like that. Absolutism is easy after a couple of drinks, isn't it?

But you never really resign, do you? So, I turned on Facebook again this week. Just for a quick peep beneath the skirts of society. Only to be presented with a grinning version of myself nearly 30 years ago stretched out like some Page 7 fella. Micro briefs covered the essentials but other than that, you got the naked 20 year old version of myself. Out on the internet for all to see and tagged appropriately in case you missed it.

Yes, one of my old 'friends' had uploaded a picture - a somewhat  unlovely reminder from the 80's like Arthur Scargill or a New Model Army concert.

Shocked? Yes. Annoyed? Yes. Invasion of privacy? Well of course. A teeny weeny bit envious at the effortless nascent six pack I sported back then? You betcha!

What possessed this 'friend' to post the picture, fuck only knows. You can't choose your friends apparently. I suppose you can however unchoose them which is pretty much my view on most of the people I've met in this life. But, seriously folks... Who wakes up in the morning and thinks, today I could mow the grass, do some chores, kick back and watch Strictly or shag the wife, but, fuck it - what I fancy doing is scanning a 30 year old picture from Benidorm of a mate I haven't seen for 20 years in his undies and uploading it to Facebook like it's fucking Grindr or something?

Never has FFS been more useful...

But, to my female readers out there; yes, I still look like that. Just a bit more toned, You know around the biceps. Chest. Oh yeah. An hour's walking everyday keeps you buff no matter how much you drink nor how much you eat. Bound to.

Anyway, enjoy the video below which was uploaded six years ago as a test. 

Tim

 

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So Serious - One of my 'lighter' songs!!! Love the hat. Where's that gone? 

Note: I asked my friend to take down the 'naked' picture of me. He obliged, of course. Still, a fictitious slight is better than a real compromise, no?

October 03, 2016 /Tim Robson
Tim Robson, Facebook, Rochdale
Tim Robson
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Didn't know I could edit this!