Tim Robson

Writing, ranting, drinking and dating. Ancient Rome. Whatever I damn well feel is good to write about.

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Old fashioned street sign. Classic Design. Not used anymore. Of course.

Old fashioned street sign. Classic Design. Not used anymore. Of course.

Walking on Lavender Hill

April 04, 2020 by Tim Robson in London, Architecture
“I commute into Clapham Junction everyday. My office is a twenty minute walk up Lavender Hill and Wandsworth Road.”
— Tim Robson - Bang The Beat!

Lavender...

The word lavender conjures up those sun drenched, hazy fields of Provence. Or perhaps some choppy, warm-toned, Impressionist masterpiece. Or is it a section of a busy thoroughfare in South Central London? Yes, it’s probably the latter. For years this road, this feeling, was my beat.

One thing you won’t find much of on Lavender Hill is, well, lavender. Maybe some discarded pizza boxes, plenty of rubbish strewn waste bags, an upturned supermarket trolley or a decaying Christmas tree thrown onto the street. But not much lavender. The shrub that gave this area its name has gone. Long gone.

The green fields of Lavender Hill. Picture TR

The green fields of Lavender Hill. Picture TR

My entrance and exit point to this urban dreamscape is Clapham Junction railway station. Not sure what a junction is, but as to the Clapham part, well, that’s a little bit of historical postcode snobbery. A fib. It’s in Battersea. And Battersea is working class. Full of engineering and manufacturing works back in the day. Less so now. Maybe we could rename it Lavender Junction? Help shift those new million pound apartments, no?

There’s a pub. There’s always a pub, isn’t there? The Falcon is pretty special though. One of those big pubs you only get in London. The ones dripping with large baskets of flowers, partitioned rooms and back lit smoky glass. This one sports a famous horseshoe bar (the UK’s longest apparently). I don’t drink there though – nor the Slug and Lettuce next door. However, the facilities are unguarded and handy so I was pretty much a regular.

The Falcon. Piss stop.

The Falcon. Piss stop.

So up we go, up Lavender Hill, ambling wistfully through these London fields. Past the retail splendour of Arding and Hobbs, sprinting past Fitness First, KFC and numerous Lebara money transfer shops where bored staff sell cheap booze and fags, whilst conducting mobile phone conversations that sound important, but probably aren't.

There was a girl once. There's always a girl, behind the memories, driving the words. We were students at South Bank University further up the A3036 on Wandsworth Road. The campus is now closed and converted into a Tesco Express and Pure Gym. I used to catch the Number 87 bus down Lavender Hill to Clapham Junction. If I was more observant, as I sat on the bus all those years ago, I would have noticed a local oddity – a genuine London eatery – the Pie and Mash shop. The historian and the Englander within me likes the fact that this relic of old London, of its working class eating habits, is still there. I like that. I’m a fan; pie and mash and gravy for £4. Treacle Pudding and ice cream or spotted dick for £3. I don’t go near the eels or the liquor (eel and parsley sauce). It's cheering though to know nestling amidst the numerous Thai, Indian, Italian, Japanese, Chinese and assorted other restaurants there is an authentic London eatery. But for how long?

Eels. Jellied. Yum.

Eels. Jellied. Yum.

Continuing on we get Battersea Library, the police station but, most wonderfully (and where most of the drivel on this website was written) the Grade 2 listed building that used to be Battersea town hall but now doubles as Battersea Arts Centre. They used to build beauty, those Victorians, you know, put the effort in, and make buildings things of wonder and aspiration.

“Kate and I are meeting in Battersea Arts Centre. I’m late. I scan the bar. At a corner table is a woman who bears a passing resemblance to Kate’s online dating profile.”
— Tim Robson: The Bottle and the Sock

However, money was always an issue, even in the 1880’s. None more so than The Church of the Ascension, a big, bold - God is terrible, God is almighty, repent ye sinners - church at the top of the hill. It’s a massive stone structure with Byzantine influences by way of Carcassonne. It should have been adorned with an equally gigantic phallic tower but the original architect pissed the money away, was eventually sacked and so he church was completed sans spire. Nerdishly, I own a copy of the original architectural plans from 1875 and framed, they adorn my living room.

French / Byzantine architecture meets Victorian brick shit-house, muscular Anglicanism.

French / Byzantine architecture meets Victorian brick shit-house, muscular Anglicanism.

“There’s a tramp whose regular perch is the low surrounding wall of the Ascension of the Lord Church on Lavender Hill. Kicking back with his can of strong lager, he likes to shout abuse at the passing world. His favourite trick is surprise; hunched harmlessly over his carrier bag one minute, and then, as though roused from sleep, pouncing like a lion the next.”
— Tim Robson - About Twenty Minutes

And then we're walking downhill. Go past - hurry! - The Crown pub. One time, as I was leaving, I witnessed some ritualised urban ballet as two drug dealers squared off to each other out on the street. Held back by their various women folk screaming, "Leave it out Jon, he's not worth it!" I waited for my Uber to take me to the station as the performance played out. Don't know who won. It's probably on YouTube somewhere.

This eastern part of Lavender Hill is all shit council flats and massed ranks of mopeds parked on the pavement outside nondescript takeaways. Let me explain lest you live in a town where cuisine laziness hasn't yet set in. Every eatery on Lavender Hill - and there are many, so many - has a fleet of mopeds waiting to transport to the indolent, the obese, and the time poor banker-wankers, their genuine, wood fired Neapolitan pizzas. This, children, is what decadence looks like. Fight, fight, against the dying of the light and cook from scratch you lazy bastards!

“We continue walking down Lavender Hill keeping our own counsel. Once again, our pace is well matched and we walk together, three feet apart. As we near the old Cedar pub, she slows.”
— Tim Robson: About Twenty Minutes
Lift up your eyes. There is beauty in the most unusual places.

Lift up your eyes. There is beauty in the most unusual places.

There are many places on Lavender Hill that offer a 'massage'. Strangely they always want to massage - for extra, for cash only - those parts that don't often get massaged in - say - more mainstream establishments. Happy endings are promised. Not always delivered. I avert my eyes, clutch my pearls, lift up my skirts, and run from these places. 

(And that paragraph - about happy endings on Lavender Hill - still sends me significant traffic to this website. I’m guessing here, but there’s probably money to be made from adult activities.)

And so, after a mile or so, Lavender Hill finishes at Cedars Road and hands the A3036 baton over to Wandsworth Road in a fistful of Tesco Expresses, coffee shops and Premier Inns in old temperance halls. We are now entering Lambeth and our story must end here.

What happened to Battersea? Abolished in 1965, apparently.

What happened to Battersea? Abolished in 1965, apparently.

And so where does all this take us? An old London Street. Full of Victorian buildings. What signifies?

“And with clear, cold eyes
And newly acquired candour,
I sift these departing delusions;”
— Tim Robson - Delusions

Well, everything. And nothing. From the confident Victorian public buildings, to the sturdy 19th Century housing for the workers, to the bold and confident Anglicanism. To the many, many cultures that have taken root here, left their mark on the shops, restaurants, through even the pizza delivery boys that criss-cross unknowing across this urban thoroughfare. To the pubs, open and closed, converted or renovated, silently bearing witness to wars and coronations, disasters and triumphs. History shines through, hiding amongst these stones, these relics, peeping shyly from under the brim of modernity. The breath of London, old London, still blows gently in this cityscape. And if you look hard enough, you will find some lavender. Yes, even on Lavender Hill.

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Lavender. On Lavender Hill

Lavender. On Lavender Hill

All pictures of Lavender Hill, Tim Robson February 2017. Article revised April 2020

April 04, 2020 /Tim Robson
Lavender Hill, Battersea Arts Centre, The Phoenix Pub, Clapham Junction
London, Architecture
Battersea Arts Centre, Lavender Hill

Battersea Arts Centre, Lavender Hill

Dating in Battersea Right Wing Style

August 17, 2018 by Tim Robson in Tim Robson, London

A Crap Date in Battersea Arts Centre

(A Star on Lavender Hill excerpt @Tim Robson 2018)

One of the problems of dating in Battersea, if you hold right-wing views, and I do - mildly and quietly - is that your potential date will be - by habit, by convention – culturally of the left. They’ve never met anyone like me, most are appalled I even exist. Therefore, I have a dilemma - to stay quiet and fail gracefully to progress the relationship, or to reveal my politics and be damn certain not to. I mostly choose the shorter path.

I’m also a bit of a nob. That doesn’t help.

Chloe and I met via some online dating agency. We agreed to meet for a drink in the bar at Battersea Arts Centre. So far, so Guardian Soulmates.

“Well Chloe, digital marketing, what does that actually mean?” I said with more bravado than tact.

Chloe looked disgusted, as though I’d demanded her best mate’s number. But the lure of being condescending proved too much. “I run word-of-mouth campaigns to organically connect brands with sympathetic networks and communities.”

“Yeah, all of that, love it - gets me a little stiff frankly - but what about digital marketing?” I laughed to underline that this was a joke. A slightly risqué joke perhaps, but still a joke between adults. On a date. Chloe though was a little younger than me and so treated life in an appropriately serious manner. Laughing at life’s absurdities is something the millennial generation appeared to have jettisoned. Shame; I used to like humour.

“Traditional marketing only concentrates on consumer relationships defined by the act of purchase. Digital marketing is about creating communities.”

“Communities that buy stuff?”

“That’s part of it.”

“So not very different!” I laughed, so alone.

“What do you do then?” Chloe asked somewhat perfunctorily. In my profile, I’d written some bullshit like skywriter or dream-maker. Basic pleasure model. I like to arouse curiosity even where none is merited.

“I manage accounts.”

“Who for?” she asked – interest momentarily piqued, itchy finger on a LinkedIn request.

“A small merchant acquirer.”

“What?”

“We sign up shops and restaurants to accept credit cards. Like this place. Means you can pay for my next drink with your Gold Amex!” Again, humour. Mistake. She heard the bit about her buying me a drink but missed the rest. Oh dear! No one gets me.

 And then - how very quickly - Chloe’s participation in the conversation declined into monosyllabic disinterest. There was an overwhelming possibility of an early morning meeting. Or the unfortunate calamity of a sudden headache. Sadly, my dates often end with unexpected haste.

But I aim to please, to give a party bag to my departing ladies containing the full right-wing arsehole experience, to provide a cautionary tale to pass onto girlfriends over a bottle of Prosecco after a hard day creating organic, but brand-aware, communities.

“So, Brexit. Great result, eh? Finally, free from our European masters!”

Chloe was gone in less than a minute clutching her pearls. I think Wandsworth voted 98% in favour of remaining in the EU. If only a couple of boxes of postal votes hadn’t got lost, there would have been a ringing 110% endorsement.

I reflect on this date as I pass Battersea Arts Centre. My reflections are warm but never salutary. I repeat the same mistakes and fall too willingly into the same traps just as I walk the same route, encounter the same people, and have similar thoughts each and every day. On Lavender Hill.

 

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Tim Robson warming up at Battersea Arts Centre

Tim Robson warming up at Battersea Arts Centre

August 17, 2018 /Tim Robson
Battersea Arts Centre, Lavender Hill, A Star on Lavender Hill, Brexit, Battersea Right Wing
Tim Robson, London
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covet.jpeg

Covetousness

Battersea Arts Centre
November 02, 2017 by Tim Robson in Bible
“Thou shalt not covet thy neighbour’s house, thou shalt not covet thy neighbour’s wife, nor his manservant, nor his maidservant, nor his ox, nor his ass, nor any thing that is thy neighbour’s.”
— Exodus 20:17 (KJV)

“Are these seats free?”

I looked up scowling. Although I’d expected this request - given how busy the theatre bar was - I was still annoyed. I gave a shrug of the shoulders and an imperceptible nod of the head. She sat down.

Pretending to look at my laptop, I surreptitiously checked her out. Yeah, not bad. Made the effort, black crochet cardigan over some sort of cami top. Hint of cleavage. Obviously here to see the performance. And what else?

Yeah, it was packed at Battersea Arts Centre.

And then he came over. For some reason, I hadn’t expected this obvious doubling up. He was tall with a weak chin carrying a pint and a red wine. He sat down next to me and opposite her. I returned to trolling the comments section of a left-wing newspaper.

“…I teach seven year olds. A real handful – you come home sometimes really tired out.”

“I bet.”

“But I love teaching.”
“How long have you done it?”

Wow!  They were on a first date! Match? Tinder? No. Probably Guardian Soulmates.

She surrendered the spotlight quickly and with grace. Clearly out to impress. She smiled and her eyes signalled -'impress me'. Men love to talk about themselves.

And then he started on what he did. Something scientific. Probably through his training in scientific method – but not in the art of conversation – he started at the beginning and slowly, so slowly, worked forward. We heard about his degree, his Masters and how he got his doctorate and what his dissertation was about. Fuck! And then his job at some light engineering firm on the M4 corridor. All related with zero wit, empathy or concern for his audience.

It’s five minutes she and I can never get back. I could hear her fake laugh as she struggled to follow his torturous story – giving it a social acceptance that was both unnecessary and - frankly - underserved.

She was ready to suspend judgement, make this a success and work with whatever she was presented with. It's hard to meet a good man these days, isn't it?

He just ploughed on not caring, not aware, not trying. God created self-abuse specifically with this guy in mind.

And then the bell rang for the performance to start and this interruption cut through the fog of ennui swirling around the table.

“We should…?” he suggested.

“Yes,” she replied - gratefully gulping her wine.

My fingers flew over the keyboard writing some biting words about this mismatch, about this travesty.

But as they walked away through the crowd, he reached out his hand out to guide her and her fingers enfolded his. Briefly, his eyes met hers and a timid but welcoming smile mirrored on both faces. They left the bar – and my life – tenderly, together.

Adrift, I returned to my laptop. But my arrogant words no longer read so well, my humour now seemed ill judged and bitter. 

I had coveted my neighbour's ass. Well his companion's ass.

And that's two commandments broken this evening.

November 02, 2017 /Tim Robson
Exodus 20, Battersea Arts Centre, Covet
Bible
Old fashioned street sign. Classic Design. Not used anymore. Of course.

Old fashioned street sign. Classic Design. Not used anymore. Of course.

Lavender Hill

February 25, 2017 by Tim Robson in London, Architecture
“I commute into Clapham Junction everyday. My office is a twenty minute walk up Lavender Hill and Wandsworth Road.”
— Tim Robson - Bang The Beat!

Lavender...

The word lavender conjures up the sun drenched, hazy fields of Provence. Or perhaps some choppy, warm-toned Impressionist masterpiece. Or it's a section of a busy thoroughfare in South Central London. Yes, it’s probably the latter.

One thing you won’t find much of on Lavender Hill is, well, lavender. Maybe some discarded pizza boxes, plenty of rubbish strewn waste bags, an upturned supermarket trolley or a decaying Christmas tree thrown onto the street. But not much lavender. The shrub that gave this area its name has gone. Long gone.

The green fields of Lavender Hill. Picture TR

The green fields of Lavender Hill. Picture TR

My entrance and exit point to this urban dreamscape is Clapham Junction railway station. Not sure what a junction is, but as to the Clapham part, well, that’s a little bit of historical postcode snobbery. A fib. This is Battersea. Not Clapham, which is posh and a mile away. Battersea is working class. Engineering and manufacturing back in the day. Less so now. Maybe we could rename it Lavender Junction? Help shift those new million pound apartments, no?

There’s a pub. There’s always a pub, isn’t there? The Falcon is pretty special though. One of those big pubs you only get in London. The ones dripping with large baskets of flowers, partitioned rooms, and back lit smoky glass. This one sports a famous horseshoe bar (the UK’s longest apparently). I don’t drink there though – nor the Slug and Lettuce next door. However, the facilities are handy so I’m pretty much a regular.

The Falcon. Piss stop.

The Falcon. Piss stop.

So up we go, up Lavender Hill, ambling wistfully through these London fields. Past the retail splendour of Arding and Hobbs, sprinting past Fitness First, KFC and numerous Lebara money transfer shops where bored staff sell cheap booze and fags, whilst conducting mobile phone conversations that sound important, but probably aren't.

There was a girl once. There's always a girl, behind the memories, driving the words. We were students at South Bank University on Wandsworth Road. I used to catch the Number 87 bus up and down Lavender Hill to Clapham Junction. If I was more observant, as I sat on the bus all those years ago, I would have noticed a local oddity – a genuine London eatery – the Pie and Mash shop. The historian in me likes the fact that this relic of old London, of its working class eating habits, is still there. I like that. But I don’t go in. Not a fan of eels unfortunately. But it's cheering to know it’s still there nestling amidst the numerous Thai, Indian, Italian, Japanese, Chinese and assorted restaurants.

Eels. Jellied. Yum.

Eels. Jellied. Yum.

Battersea Library, police station but, most wonderfully (and where this drivel is mostly written) the Grade 2 listed building that used to be Battersea town hall but now doubles as Battersea Arts Centre. They used to build beauty, those Victorians, put the effort in, make buildings things of wonder and aspiration.

“Kate and I are meeting in Battersea Arts Centre. I’m late. I scan the bar. At a corner table is a woman who bears a passing resemblance to Kate’s online dating profile.”
— Tim Robson: The Bottle and the Sock

However, money was always an issue, even in the 1880’s. None more so than The Church of the Ascension, a big, bold - God is terrible, God is almighty, repent ye sinners - church at the top of the hill. It’s a massive stone structure with Byzantine influences by way of Carcassonne. It should have been adorned with an equally gigantic phallic tower but the original architect pissed the money away, was sacked and the church was completed sans spire. Nerdishly, I own a copy of the original architectural plans from 1875.

French / Byzantine architecture meets Victorian brick shit-house, muscular Anglicanism.

French / Byzantine architecture meets Victorian brick shit-house, muscular Anglicanism.

“There’s a tramp whose regular perch is the low surrounding wall of the Ascension of the Lord Church on Lavender Hill. Kicking back with his can of strong lager, he likes to shout abuse at the passing world. His favourite trick is surprise; hunched harmlessly over his carrier bag one minute, and then, as though roused from sleep, pouncing like a lion the next.”
— Tim Robson - About Twenty Minutes

And then we're walking downhill. Go past - hurry! - The Crown pub. Last week, as I was leaving, I witnessed some ritualised urban ballet as two drug dealers squared off to each other out on the street. Held back by their various women folk screaming, "Leave it out Jon, he's not worth it!" I waited for my Uber to take me to the station as the performance played out. Don't know who won. It's probably on YouTube somewhere.

This part of Lavender Hill is all shit council flats and massed ranks of mopeds parked on the pavement outside nondescript takeaways. Let me explain lest you live in a town where cuisine laziness hasn't yet set in. Every eatery on Lavender Hill - and there are many, so many - has a fleet of mopeds waiting to take the indolent, the obese, the time poor banker-wankers, their genuine, wood fired Neapolitan pizzas. This, children, is what decadence looks like. Fight, fight, against the dying of the light and cook from scratch you lazy bastards!

“We continue walking down Lavender Hill keeping our own counsel. Once again, our pace is well matched and we walk together, three feet apart. As we near the old Cedar pub, she slows.”
— Tim Robson: About Twenty Minutes
Lift up your eyes. There is beauty in the most unusual places.

Lift up your eyes. There is beauty in the most unusual places.

There are many places that offer a 'massage'. Strangely they always want to massage - for extra, for cash only - those parts that don't often get massaged in - say - more mainstream establishments. Happy endings are promised. Not always delivered. I avert my eyes, clutch my pearls, lift up my skirts, and run from these places. 

And so, after a mile or so, Lavender Hill finishes at Cedars Road and hands the A3036 baton over to Wandsworth Road in a fistful of Tesco Expresses, coffee shops and Premier Inns. We are now entering Lambeth and our story must end here.

What happened to Battersea? Abolished in 1965, apparently.

What happened to Battersea? Abolished in 1965, apparently.

And so where does all this take us? An old London Street. Full of Victorian buildings. What signifies?

“And with clear, cold eyes
And newly acquired candour,
I sift these departing delusions;”
— Tim Robson - Delusions

Well, everything. And nothing. From the confident Victorian public buildings, to the sturdy 19th Century housing for the workers, to the bold and confident Anglicanism. To the many, many cultures that have taken root here, left their mark on the shops, restaurants, even the pizza delivery boys that criss-cross unknowing through this urban thoroughfare. To the pubs, open and closed, converted or renovated, silently bearing witness to wars and coronations, disasters and triumphs. History shines through, hiding amongst these stones, these relics, peeping shyly from under the brim of modernity. The breath of London, old London, still blows gently in this cityscape. And if you look hard enough, you will find some lavender. Yes, even on Lavender Hill.

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Lavender. On Lavender Hill

Lavender. On Lavender Hill

All pictures of Lavender Hill, Tim Robson February 2017

February 25, 2017 /Tim Robson
Lavender Hill, Battersea Arts Centre, The Phoenix Pub, Clapham Junction
London, Architecture

The Lavender Hill Mob

April 07, 2016 by Tim Robson in Architecture, London

To supplement my earnings as a writer (cue laughter).... What? I don't make millions from my scribblings? Sadly no. Anyway, to supplement my earnings as a writer, I started working for a great, small company a couple of months ago. It's based on Wandsworth Road, London, just beyond Lavender Hill and close to Clapham Old Town / Common. Which means, I'm commuting again. 

(Should I write a blog post about the frustrations of being a commuter, the appalling manners and habits of my fellow passengers? Maybe - right after I finish this novel I'm writing about a boy wizard in a school for magic, who has a dark past...)

My walk to and from work takes me past the Grade 2 listed Battersea Arts Centre. Formerly Battersea's town hall before absorption into Wandsworth, it's a beautiful late Victorian building. It's currently undergoing a renovation. I know this because the outside steps and pavement are being revamped as I write - beautiful slabs of stone awaiting to be laid. They're not doing it on the cheap. It's good this piece of heritage is in such good hands.

The restoration work going on April 2016

The restoration work going on April 2016

Anyway, it is my custom to stop here as I await my evening train and write the odd blog post (hello world!), pen hackneyed poetry - my new thing - or tweak a short story. The bar is a great space - the vibe of an old school refectory hall with parquet floor, mismatched furniture and flickering candles. I can people-watch the pre-theatre crowd as they tweak their beards or polish their nose rings. 

Actually it's a bit more broad based than that (well, not much to be fair) but the clientele are a merry bunch, like the bar staff. A simple menu of rustic burgers (beef/jerk chicken/ pan fried humus or some shit like that) and sharing plates tempt the hungry writer... The plays my hipster friends are here to see however, all seem to be absolute leftie bollox - unchallenged, lazy victimhood-claiming rants spewed out to an unthinking Guardian reading audience. Perhaps I should go along! Or put my nob in a blender. Choices. Choices.

Amusingly, the beard who's sharing my table with his - not unattractive  - date, is seriously over-reaching. He's wanking on about some Time-Out review of tonight's opus about whales (called Wails). Aside - I wonder if I could get a whale steak here? Probably not. Anyway - he's earnest in his denunciation of those global capitalistic, UKIP supporting whalers who are triggering the safe spaces of tuna or bearded twats or something. Blah Blah Blah. Probably Donald Trump's fault.  Anyway, this seems to be working with his date who's nodding her head at his sage bon mots. Maybe I should update my routine, no?

Anyway - the wail of the curtain going up has moved my good friends from the table and I'm now alone penning sundry character assassinations. But - and this is the bit I want to leave you with - you can never close off a place, or shut out people just because you don't agree with them. I laugh at them and poke fun at them in a public forum because I live in land where to do so is part of our culture and I'm free to do so. And hideous lefties that they undoubtably are, what I share with them is SO much more than what I disagree with them about.

Everything is permitted in the UK unless banned. Other cultures and countries give you licence to do certain things. Think about it. There's a world of difference.

But I'm happy to be here in the lovely confines of Battersea Arts Centre and I'm glad even the lefties will have a good night with their righteousness to keep them warm. I think my earnest friend may well have something else to keep him warm!

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April 07, 2016 /Tim Robson
Battersea Arts Centre
Architecture, London
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Didn't know I could edit this!