Revealing Myself

There I was... Pure of thought, deed and inclination. Eschewing the ephemeral, holding back the dogs of social war, elevating my sights to something better, something more wholesome. But then I fell readers, I fell.

I'm talking, of course, about that freak show, that parade of inadequates and emotional incontinents we call Facebook. 

I resigned as you well know. Sick of modern life. Tired of the trite and the easy path.  The unwisdom of the crowd. I wanted to switch off modern distractions, write, read and become the best version of myself. Or some shit like that. Absolutism is easy after a couple of drinks, isn't it?

But you never really resign, do you? So, I turned on Facebook again this week. Just for a quick peep beneath the skirts of society. Only to be presented with a grinning version of myself nearly 30 years ago stretched out like some Page 7 fella. Micro briefs covered the essentials but other than that, you got the naked 20 year old version of myself. Out on the internet for all to see and tagged appropriately in case you missed it.

Yes, one of my old 'friends' had uploaded a picture - a somewhat  unlovely reminder from the 80's like Arthur Scargill or a New Model Army concert.

Shocked? Yes. Annoyed? Yes. Invasion of privacy? Well of course. A teeny weeny bit envious at the effortless nascent six pack I sported back then? You betcha!

What possessed this 'friend' to post the picture, fuck only knows. You can't choose your friends apparently. I suppose you can however unchoose them which is pretty much my view on most of the people I've met in this life. But, seriously folks... Who wakes up in the morning and thinks, today I could mow the grass, do some chores, kick back and watch Strictly or shag the wife, but, fuck it - what I fancy doing is scanning a 30 year old picture from Benidorm of a mate I haven't seen for 20 years in his undies and uploading it to Facebook like it's fucking Grindr or something?

Never has FFS been more useful...

But, to my female readers out there; yes, I still look like that. Just a bit more toned, You know around the biceps. Chest. Oh yeah. An hour's walking everyday keeps you buff no matter how much you drink nor how much you eat. Bound to.

Anyway, enjoy the video below which was uploaded six years ago as a test. 

Tim

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So Serious - One of my 'lighter' songs!!! Love the hat. Where's that gone? 

Note: I asked my friend to take down the 'naked' picture of me. He obliged, of course. Still, a fictitious slight is better than a real compromise, no?

The Thoughts of Tim Robson (Saturday Afternoon Slight Return)

We are the stories we tell...

Apparently my new trick these days is to write random sentences, take a picture and expect to treated like Yoda, or something.

An afternoon in the pub produces many things. Not often does it produce great art. Three hours and all I got was the dodgy picture above and 'We are the stories we tell...". Well  thank you Aristotle.

Paid my water bill online though.

It was overdue.

More tales from the edge soon.

Yoda

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I have tended my own garden too long

I wandered empty streets down

Past the shop displays

I heard cathedral bells

Tripping down the alleyways

As I walked on..

There was a time when watching Dustin Hoffman – as Benjamin Braddock in The Graduate – floating around in a swimming pool wearing shades was the height of cool. Or I thought so, anyway. The music playing in the background was pretty cool too – an extended version Scarborough Fair by Simon and Garfunkel.

What’s not to like about Simon and Garfunkel? Folky guitar, intelligent lyrics, flawless harmonies. I have all five of their original albums, plus sundry live stuff, box sets, unreleased material, even their 70’s collaboration, My Little Town. It's music I continually come back to, a bridge to my childhood, to adolescence, to the care-free days of youthful summer through to shadowy evenings of judgement.

Ignoring the false start as a teenage duo – Tom and Jerry - their career lasted about six years. Following their unsuccessful first album Wednesday Morning 6am, Paul Simon went off to England to play as a solo artist. Here he wrote (and recorded) many of his greatest songs learning from the greats of the British folk scene. But the phenomenal success of The Byrds and Mr Tambourine Man, opened up a demand for folk-rock and,unknowingly, the duo began to take off. Back in the States, their record company remixed the acoustic The Sound of Silence and added bass, drums and an electric lead and – eh viola! – a number 1 record was made.

And so followed The Sounds of Silence, Parsley Sage Rosemary and Thyme, Bookends and finally Bridge Over Troubled Water. Add some non-album singles and that was about it. The Graduate doesn’t have new material on it not found elsewhere (apart from an abridged acoustic version of Mrs Robinson)...

For Emily (Wherever I may find her)

Some of Simon’s best imagery populate this touching love song. He generously allows Garfunkel to sing lead. And he does it well. So good is their live performance of this song that the version on the UK Great Hits album is pretty much definitive. Simon says he wrote this about an imaginary girl, an imaginary situation and the loss of hope of ever finding her. Kind of stole my idea 50 years before I had it...

April Come She Will

A deceptively simple song, using the months as a backbone to the story of a love affair that starts, grows and dies. Simon at his folkie best. 

Blessed

Oh Lord, why have you forsaken me? // I have tended my own garden too long.

The forlorn cri de coeur at the end of this stylish whinge always gets to me. About how the writer has been ignored, rejected whilst other groups (The Blessed) have been favoured in his place. In the final line there is a sort of epiphany as the writer realises that the fault lies more with him than others or Fate. 

The Sound of Silence

Hello darkness, my old friend
I've come to talk with you again

If he wrote nothing else, Simon would be up there amongst the rock gods with this epic. Ridiculously quotable, endlessly thought-provoking, it was a major song before the illicit re-working by Tom Wilson of Columbia Records. The added beat, bass and electric guitar however, propel it to a different, higher plane. 

The Boxer

In the clearing stands a boxer

And a fighter by his trade

And he carries the reminder of every

Cut that made him cry out in pain

“I’m leaving! I’m leaving!”

But the fighter still remains.

FFS - how can other writer in the popular music sphere fight against this? Thing is, Simon could write tunes too. With his left hand he had talent, with his right abundance.

Scarborough Fair

There is some dispute about whether Simon nicked his arrangement from Martin Carthy. Maybe, maybe not. But Simon and Garfunkel's version pisses on all other versions. Yes, even Nana Mouskouri's version. If you don't like this then you have no soul. From the tune, the counter melody, the delicate acoustic guitar, the harpsichord, the close harmony - lovingly sung, this is the perfect tune to be drifting aimlessly around in a pool to in a Mike Nicholls film.

---

Notable others - Overs, The Dangling Conversation, The Only Living Boy in New York, Mrs Robinson, Homeward Bound. Basically most of them. Yeah, Leaves That are Green, Bleecker Street. Loads. Old Friends. I am a Rock. Kathy's Song. Red Rubber Ball (huh? Look it up). The Big Bright Green Pleasure Machine (for those who have a tendency to W).

Tim

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The Battle of East Croydon

The following is an excerpt from The Unknown Commuter, who fought in the legendary Battle of East Croydon, summer 2016. He's currently believed to be somewhere between Clapham Junction and Brighton waiting for a train. The reader is advised that the recollection includes strong opinions expressed robustly.

"Rail chaos. Where am I? My 17:52 from Clapham Junction has just been cancelled. Cancelled because too many drivers and conductors pulled a sickie. Because they can’t be bothered calling a real strike and lose money. So they do this low-down trick.

The petulant bosses cancel trains at the last minute. Twelve car coaches are reduced to four. When they turn up. Standing next to some git's armpit listening to his techno leaking from his headphones. Wanker.

So I stop off at the pub. And have a pint. Hope the chaos has died down. My train app says the train is on time. Run to the station. Go on the platform. My train has been delayed. Doesn’t even merit a revised time. Just delayed. That is ominous. Okay, so no direct train. Recalibrate, so; if the 17:52 has been cancelled I’ll take whatever goes to East Croydon – they all go to East Croydon – and take pot luck there. I jump on the first train arriving at my platform. Travellers swirl around the opened doors. No one tries for a seat – just to get on and then find somewhere to lean that’s not on a fellow passenger. Somewhere to hold on.

The train, almost deliberately, crawls to East Croydon. I mean, I could walk faster than this fucker. It must know there are whispered reports of mythical connecting train that will take me home. Leaving in ten minutes from East Croydon. So my train goes slow. Very slow. Stops at Purley and just chills for ten minutes. The conductor says something about there being congestion which means we’ve missed our slot to get into East Croydon. Fucking comedian. They’ve cancelled half the bloody trains? What congestion can there possibly be? Congestion at the bar in the striking drivers local, perhaps?

A feeling of bleak despair grows in me as I keep checking the time. I know, yes, I know, I’ve missed my connection. Gone like the wind. Unlike every other train tonight, my connecting train will be promptitude itself. Arrive on time. Leave on time. Of course.

So I join the chaos at East Croydon looking for another way home. Need a piss. Hey – I’m at a railway station. Need a piss. I know there is nowhere to go. When did that happen? When I was younger, I can still remember - though it’s pictured in sepia - you could take a piss at railway stations. Where did they all go to, those public conveniences? Maybe it was too many junkies shooting up or too strangers giving each other hand jobs but toilets in stations disappeared. So now what we gonna do? Hold it in while we wait for some fantasy train that will take me home which has fantasy functioning toilets.

The platform signs are in on the great swindle. Part of the con. Constantly changing, they show an ever changing landscape of fuck ups. Seasoned travellers, world weary and pissed off, stand up the stairs ready to run wherever directed. Just cause a train to the South coast is always on platform 2 or 3 doesn’t mean they won’t pull a surprise on you last minute. Platform 5! Leaving now. Run plebs! Too late.

So I stand on the concourse. Bladder full to fuck, ready to run, run wherever the electronic scoreboard predicts a train going my direction might be. Flashed up – it will arrive in ten minutes on platform 3. We all run down there jostling for space, for a place. Then the platform scoreboard flashes up that this train has been cancelled. Lots of shouts and swearing. Some of us go back up again. The scoreboard upstairs still says the cancelled train will arrive, er, well, about three minutes ago.

The station announcer employs a world-weary voice. Fed a diet of bullshit and nonsense by the train companies he reads out the ever changing deployment of fantasy trains he knows won’t make it. His bosses just want us off their platform, out of their station. Pass the problem further down the line. Get East Croydon passenger free, demob the mob on someone else’s patch. So they get the announcer to try and parse our journeys – push us to smaller stations with promises of legendary connecting trains. Some fall for it. We see them hours later, mournfully sat at Balcombe or Three Bridges helplessly watching the non-stopping Brighton trains pass them by. Idiots. Novices!

As to my own train, it’s now got a time, eight minutes hence on Platform 3. Hang on. No, it’s now twelve minutes away. No it’s cancelled. No it’s just late the announcer says. Might be at Clapham Junction. Might be further ahead. Who knows. Information is power.

Silently, below us on platform 2, a train pulls in unannounced. Suspicious, some passengers edge towards that platform. I hear a shout – it’s our train – just as the announcer tells us that it is indeed the train we want but it is now getting ready to depart. Shouts and swearing as three hundred people rush towards platform 2. Exactly ten seconds later an announcement says that we should move away from the doors as the train is preparing to leave.

Fuck off.

We rush the train, rush the doors, the rail people on the platform tells us to move away but we’re an unstoppable, feral force of nature. They’re concentration camp guards, and collaborators. Fuck off. To the sword with them!

We storm the train. Push the guy with the folded bike out the way, edge past the confused old couple who had a day’s shopping in London and now rather wish they didn’t. The seats are all taken. Naturally. So we’re packed in, standing, holding onto whatever we can. The LCD sign in the carriage boldly displays that we will be going back up to London Victoria – the wrong way FFS. Can’t these monkeys get anything right? The conductor comes over the tannoy and announces that we should stay away from the doors. Cheers mate, but where are we actually going? This way or that? Not until the doors have shut and we start to crawl away – packed, overweight, angry – and it’s too late to change – does the conductor announce that this train is indeed going south.

And we crawl there. Two toilets out of three are out of action. The one I go in looks blocked. I don’t care. Shut eyes and leave quickly.  Ah the relief. My station is announced. As I get off, tired, sweaty, battered, the station tannoy says that the 19:54 train to Brighton is ten minutes late. It’s taken me two hours of stress to get here. Should be fifty minutes.

Wankers. Truly wankers.

The battle begins anew tomorrow."

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Into the Hopper

“Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world.”

— Edward Hopper

Although my writing often uses allusion and metaphor my most common technique is reference. The deliberate triggering of emotion or intellect by forms of words and experiences with which the reader may be familiar, perhaps unknowingly.  Sometimes my references pass people by, but they are there, hidden beneath the surface, like buried treasures. Music, films, history, ancient texts, The Bible nestle side-by-side. My prose is deceptively simple but is buttressed by those that went before.

Visually, I'm quite literal. I could be dismissed - and often am - as hating all art that doesn't have a semblance of reality. But this literalism can hide artifice and subtext (pre-Raphaelites, anyone?). The framing, the subject, the angle, the deliberate manipulation of scene, emotion and place that an artist consciously puts into a painting is as important as the form.*

So, in this spirit, let me introduce my favourite artist, Edward Hopper. In my lounge, along with framed LP covers, two Hoppers hang, facing each other. On one wall is:-

New York Movie Theatre (1939)

This is faced by:-

Nighthawks (1942)

Within these two you get pretty much quintessential Hopper. The very strong sense of place, mood, of images being presented full on but still hiding much. I mean, what is the usherette thinking in the Movie Theatre picture? But also, it reveals the human element behind life which I like. It's the deliberate panning back in order to highlight the trivial. All life is affected by mood, emotion, secrets. There is surface and there is stuff going on underneath. Hopper is about these things. It's not happy.

So Hopper is a realist but his paintings always convey a mood, hint at a story, scratch the surface of deep emotions. These are the sorts of paintings where you can sit in front of them in an art gallery, scratch your chin and speculate on what the artist meant. 'Gas' pictured above is very much like this. A solitary garage on a little used road, closes for the night as the shadows from the evening and the forest close in.  It's lonely, suggestive, oppressive even,

Let me give you a couple more favourites:

Automat (1927)

I suppose an early fore-runner of Nighthawks. Who is she? Why is she on her own? Questions. Questions.

Cape Cod Evening (1939)

The grass, the sinister trees again. The man and woman pensive (argument, loss, waiting something), the dog!

But I've entertained you enough, I feel. Hopper's my man with the brushes. But it's a personal thing. Shared by millions.

So long, farewell, auf weidersehn.

Tim

* I could bore for Britain on my views of the duty of the artist. Or the freewill of the artist. How selection and viewpoint is as much a part of the artistic palette as skill, technique, form. But also serendipity.

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RIP Charmain Carr who died this week. Remember her this way. I think somewhere we're all 16 going on 17.

This doesn't happen often...

As you know I love Vivaldi and especially his oboe concerti...

But I've just found this gorgeous piece by Tomaso Albinoni (1661 - 1751). Oboe Concerti in D Minor op 9,2 largo. It adopts the canon format (repeated cyclical sequence) of his most famous piece - Adagio in G Minor. And then, and then, the oboe comes in, lyrical and plaintive. It's rare these days that I find something so beautiful. I close my eyes, listen, and everything is fine with the world.

Love this piece.

Thought I'd share it with you. 

Move over Vivaldi. Let Tomaso take over.

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Dating: The Truth

We were having a discussion in the pub last night. In Clapham. Balmy weather. Barmy people. Nice food, good conversation. Wine flowed. Will Young was in the corner. Thought about being a hero to my kids and asking for a selfie but, decided not to. He's got his own life and shouldn't he be asking me for my autograph anyway? Should be dancing.

The discussion turned to dating in 2016 and the benefits or not of online dating websites. It was a great discussion; wide ranging, robust, interesting. However, my natural tendency towards discretion and good manners means I won't be delving deeper into the view points raised and asserted at our table.

Well... Possibly I was pissed and the forgetfulness fairy sprinkled her 'no memory' dust over the evening. So I may have forgotten the ebb and flow, the nuances and the, no doubt, many good points I myself made in this vital discussion. But hey! Broad brush strokes are my thing, anyway. 

I have views about online dating; namely it is just like real life dating but, more restrictive. Whilst in person I might be able to - through my verbal fluidity and natural exuberance - convince a lady that Tim may just be the one, online, this isn't the case. We're all too picky and the internet's ability to filter potential partners against so many criteria works against philosopher/king/poets like myself. 

There may be a backlash however against the Corbusian brutalism of the internet... For example, if you read many female profiles on dating websites, especially those who have been online dating for a while, a great number spend an inordinate amount of time detailing exactly all the negative things about men they have been dating and how they don't want that experience again. For some it seems like a shopping list of negativity. "You mustn't be this, this, this, this. I hate this, this, this. Don't apply if you are this, this, this."

How very reductive of the human experience. I'm sure there really are plenty of crap men out there. My advice? Don't date them, then. Re-appraise your filters. If some good-looking guy meets up with you, flatters you, does the deed and never calls again, perhaps you should look to yourself as much as the man-whore. 

"How will I know?" as Dame Whitney of Wisdom once opined.

Dunno. Not my job. But, I sense that maybe, the old fashioned way of real life interactions, random, spontaneous, drink fuelled, using friends of friends, is not such a bad way after-all. Go out for a drink with someone all night and you'll get a pretty good idea of their personality. The good and the bad. And you can do a runner when you like.

Me? I can trace the arc of an evening's progress by the stories I tell, the points I make, the suggestions I think need to be explored. If it's ten o'clock then Tim is probably telling his Lisa Stansfield story. Or the Madonna story. Or the Will Young story. Some people like this. Some don't. But it's a good way of seeing who the hell I am.

There was some guy at an industry event last week. Chatting to everyone. Very serious. Boring in fact. Lots of wine was flowing. Mainly into my glass. But even I noticed he carried a glass of water. Calculating. Stay away from him girls. He plays with a mask. 

"Never trust any bastard who doesn't drink," as Bogart said. Before dying of alcoholism and cancer.

But it's a good general rule. Avoid getting pissed with someone and you miss out on the various stages of personality change a person goes through as they progress though the evening. You get to know a person. Potential partner. Light and shade. Humour and personality.  The whole nine and a half inches. I also do marriage counselling down the pub and couples therapy in a club. 

Surprisingly, I am - however - and given my advice above, on the diet/exercise/non drinking thing. Well, tomorrow.

"Lord, make me chaste - but not yet!"

I have no current online dating profile. It's a loss. But not a real loss. Just content yourself with my picture below. Will Young not pictured. Buy me a drink and take your chances.

Tim of Hippo

St.Tim of The Bobbin gives it that 'in person' fairy dust for the ladies of Clapham.

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Razor Toothed Soul

So; what's on the agenda for September? Which bon mots am I gonna scatter out into the internet for y'all to gather, cherish, repeat? Is this gonna be a safe month ("Is it safe?") or is it gonna be a cruel, bareback ride into the darker recesses of my mind?

Actually - I veto'd a post I wrote last night called 'So Wrong, It's Right.' Whatever you're thinking RIGHT NOW - was probably referred to. And then some more. Your sister was probably involved. Olive oil. Celebrity couples. Luckily my internal editor eschews such sensationalist ramblings and blocks them from being posted. Until I'm pissed...

Well, obvs I gonna post 'The Dead Pubs of Clapham'. 

I think it's about time I raised my game and started waffling about history again. There's been a shortage of tortuous historical analogies around here. I know a post on Augustus was promised last month and escaped my non penetrating gaze. Yeah, well, fuck him. Everyone talks about Augustus. What about Aurelian? Septimius Severus? Diocletian? Julian? So, I'm going to be taking a face from the ancient gallery and dancing the scarlet maypoles.

(BTW - sat in a pretty empty Battersea Arts Centre Bar and yet everyone who is here comes and sits at an adjourning table. As I've mentioned previously, I can't turn it off. Even when working. Tempted to join in the conversation to my left about Jesus.)

Some high minded chat about the process of Brexit, perhaps? I'm a magnanimous winner as you have observed. Certainly not a mirror image of the losing side. However, some thoughts on this are probably overdue. 

An article on rock. As in RAWK!! A listette article on music I like, listen to, was influenced by. I've kind of ignored rock - mentioned the Zep, Who, Stones in passing. Well, that's gonna change.

Food. In the last few weeks I have cooked three great dishes. Really mind blowing. Tartiflette (with Reblochon cheese, of course.), Vietnamese beef salad, the most amazing Nachos with beef skirt and a deconstructed salsa verde. Yum!  I'm going to TESCO tonight for a Reblochon and I'm making a big mess of Tartiflette tonight. 

Some observational bollocks about September. School days. The ending of the year. Where did summer go? Avoid if you see this one coming down the tracks.

And I think it's about time I started addressing the dating issue. What dating issue, you ask? You're funny. Good looking. A catch. Well, thank you, that's all true but even despite all those things I find it hard to find a soul mate. Blind alleys. Back alleys. Love on the rocks. Ain't no surprise.

Neil Diamond. Top Five easily... Or Top Ten. Go on - list them now!

Beatles, Rolling Stones, The Who, Led Zeppelin/The Yardbirds, Simon and Garfunkel, The Smiths, The Stone Roses, Neil Diamond. And others. Elvis. 

Yeah, and loads of new stuff. The Pierces. Er, Taylor Swift. First Aid Kit. I am, of course, achingly on trend. Loving this season's razor toothed sole, moccasins and ballet shoes. All over that. Heels are so August 2016. 

September. The best seventh month in ninth place. Like ever!

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The Robust Annals of August

Well, August has gone but summer still persists here in the nation's capital and down on the South Coast. Which is a shame really as I bought a nice Autumn coat from Samuel Windsor.  In the sale, of course. And now it's September. There was a girl in Rochdale one September many autumns ago. I promised I'd never tell. The lady however, when asked, said, 'Tim Who? Is he the short one? Oh him! It was only one kiss for fuck's sake! I was drunk. Yeah, can I go large on it. Extra fries.'

Happy memories, but let's not let August slip away like a greased pig thrown into a three-way with an oiled up celebrity couple. Let's review this blog's August performance shall we?

This blog started the month in self-congratulatory mode celebrating July's record RSS numbers. However,  as August's RSS numbers didn't quite reach July's numbers, I'll concentrate on the fact, last month, I got the second highest number of visitors to the site in 2016. That's good, right? And what the hell is RSS anyway? 

I have a mate in the industry. Writing a book on this stuff. I asked him about RSS feeds. He tried to explain. Still none the wiser. But he'll get your website up Google's rankings, apparently.

So - August was one of the best months for, er, actual people coming here and reading stuff. Maybe it's all the many millions of fans from my writer's Facebook page coming here, hanging out, chewing the fat and learning about Folk music. Or something.

Now let's review my posts. And the blogs I promised but didn't actually deliver:- Led Zeppelin, The Emperor Augustus, Edward Hopper and probably loads more but I can't be arsed looking back. There's also a few blogs that I did write - possibly refreshed, possibly not - that my internal Quality Manager judged to be so bad, forced or plain masturbatory, that I pulled them. Fear not though, they're still here in draft. Crap posts are but a couple of drinks away. I walk the line between genius and arse like Johnny Cash trying on a pink shirt.

I liked the Folk Music / Bleecker Street double header blogs. Worthy but heartfelt I felt. 

And who hasn't read my back to back blogs musing on information gate-keepers and the blogs I read myself? Up there with Bramwell Bronte's best stuff. And it's a shame I don't get rewarded for all the traffic I sent Peter Hitchens' way after name-checking him and putting in one of those fancy weblink thingies.

It was good to write about one of my poems being accepted and published this Christmas. Bet that's gonna be a money spinner! 

I also got long listed again for another literary competition though - surprisingly - there was no blog about this middling failure. FFS - long-listed again! Always the jilted bridegroom and never the rogering best man. (Yeah, that metaphor doesn't really work. I know.) Still; longlisted is better than spunking my literary children into a Kleenex. (Did I actually just write that sentence - the curse of a large white strikes again.) Anyway, it gives me the opportunity to show you another Tim Robson profile (written by me, of course) on another website. Fame, fickle fame. 

So, enough.  This is getting to be the blog that celebrates itself. Not a great look. (But it's a look).

Additionally, I finished two short stories in August and began another. The Dead Pubs of Clapham still remains unwritten but Bang the Beat! and Insignificance were completed on trains, in pubs and my kitchen during the month. And then entered into competitions. Obscure long lists sternly beckon, no doubt.

August. Kind of top end when it comes to blogs and popularity. Not The Beatles. More The Yardbirds; respected, revered but alas, For Your Love aside, obscure. But, as we all know, The Yardbirds begat Led Zeppelin.

Nob.

Tim

(September's laughable aspirations for this sturdy organ to be published tomorrow. Or not.)

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Riffs! Shouting! Power!

I was writing a blogpost this week about my favourite hard rock songs (what's that granddad?). And then I thought, nah, better to trace the development of hard rock, heavy rock and punk in just five 60's records. As you do. And so, blushed with Battersea Art Centre's cheapest white wine, discounted 10% because I'm a member, here is my list of the five stepping stones to heavy rock.

And of course, by selecting five early 60's records, one doesn't deny the journey up to this point. Muddy Waters riffing like a bastard. Little Richard amping up the vocals. Chuck Berry giving every subsequent guitarist a rock blueprint. And Elvis. Of course Elvis. But, where to start? As I've written before, you can trace rock back to Beethoven's thunderous riffs, Vivaldi's repeated motifs. But I'll restrict myself to the first half of the 60's else I will disappear up my own arse (again).

So what am I looking for? Anger. Loud overdriven guitars. A sense of musical anarchy barely held in check. Riffs. Screaming singers. 

The Beatles - Twist and Shout (Feb 1963)

Yeah, everyone knows this song and The Beatles version. One of the Beatles best ever covers (up with Long Tall Sally, Dizzy Miss Lizzie, Bad Boy, Money). But what propels this song forward is John Lennon. After a full day recording the Please Please Me album, he literally shreds his vocal chords as he provides one of rock's greatest vocals ever. The instrumentation is so-so, standard early sixties sound. It's the singing, the call and response, the AH-AH-AH-AH-WOOO bit that makes this song special. Compare the muscular and aggressive Beatles' version against The Isley Brothers' original. No contest. Lennon pisses on them and starts heavy rock.

The Kingsmen - Louie Louie (April 1963)

When researching this (seriously Tim?) I found that Louie Louie was recorded after The Beatles' Twist & Shout by two months. Who knew? Who cares? Massive hit in the 60's. Revived in the 70's for the film Animal House. What can one say about this? An absolute shocker of a recording, slapdash, careless, badly recorded. A total fuck up. But in that carefree, shouty, riff heavy style, we have the embryo hard rock and punk. It was recorded in just one take for $50. with singer Jack Ely yelling as loud as he could at a mike lodged above his head just to be heard above the instruments. A million pub rock bands heard this and learnt the way forward. Inspiring.

The Rolling Stones - I Wanna Be Your Man (Nov 1963)

It's not often The Beatles and The Stones went head to head. But - song hustling - John and Paul gave the Stones this song to get the London boys into the charts (number 12). The Beatles went on to record I Wanna Be Your Man themselves for the With The Beatles Album. Now, whilst The Beatles version is polished and lively, The Stones go straight for the balls. Or more to say, Brian Jones does. The ferocity and aggression he gives to his slide guitar lead is a wonder to behold. He did it one take. Bizarrely,  not heard much these days. First time I heard it, way after other Stones stuff - as it's not on an album nor on most Greatest Hits compilations - I was blown away with Jones' wall of noise. 1963? Are you sure? But it is step three onto heavy rock. 

The Kinks - You Really Got Me (1964)

Riff heaven. Taking up the baton from the Kingsmen and amping up the power. Guitarist Dave Davis creates this song's dynamic. He cut his amp with a razor blade to create the fuzzy, 'heavy' sound. He then throws out a volley of notes in the solo; mad, nonsensical but the inspiration for many a guitarist's solo (I include myself here!). Long rumoured to be played by session man and pre Led Zep Jimmy Page, it was in fact Dave Davis. The first song you can really head bang to. And air guitar.

The Who - My Generation (1965)

The song where it all comes together! Riffs, heavy guitar sound, fucking mental rhythm section, powerful singer. Feedback. Anarchy. Power. Driven by The Ox and Moonie; their powerful backing gives Townsend the space to riff away and Daltrey to stutter like a pilled up prick chucked in front of mike at closing time shouting out his story. The final minute where Moon goes mad, Daltrey screams and Townsend and Entwhistle lock together is one - one - of rock's finest moments. It is this that points to the future - not least The Who's own guitar smashing versions of this very song. And leads them down the path that ends with rock's finest moment - 'Won't Get Fooled Again.'.

And then. And then. What came next? To follow. In another post... Well I hope so! I've written it and it's ready to go so; to follow, the best hard rock tracks ever!!

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Sad Songs Say So Much

Often we are sad. Things don't work out or we feel nostalgic for a past that was probably every bit as melancholy. So, what music to play? To feel sad? To get music to match the melancholic mood? Classical? Rock? Pop? Bossanova? Well, all of the above.

Debussy - The girl with the Flaxen Hair. Beautiful, sad, melancholic. Fading beauty, pale shadows, misty memories, dawn tears. I love this piece.

The Smiths - Please, please, please let me get what I want. The Smiths. Morrissey. Hero of many a lonely bedsit. The first and the best Smiths miserable songs. Oh how I used to put this on repeat!

Guns n Roses - November Rain - Sad. Sad. The shining flame that was GnR came up with a handful of classics but this one... Man... I remember 1991/2. I lived it. Everything was raw. Real. First time. Beautiful song.

Blur - Miss America. My secret. 1994. That was a year!

A-ha - You'll Never Get Over Me. From their flawless comeback album - Major Sky, Minor Earth. Beautiful. From the masters of melancholy a late career fightback. Check out the counterpoint melody.

Abba - The Winner Takes it All. Fuck this is sad. The best Abba song for sadness. The way Agneta says 'but you see' and then holds that high note on the last chorus just breaks your heart. One of my top ten records ever.

Van Morrison - Beside You. Well, I've mentioned this already. Just perfect. Fucking perfect. If you want to blub and think about what might have been and what used to be, then this is your song. Perfection.

The Eurythmics - Savage. I've written a full blog post on this song. It breaths. Annie is always the master of melancholy. But the guitar solo! Less is more. Stunning.... Yeah... Let's move on!

Elgar - Nimrod. Yeah, I've already mentioned this but, when I'm feeling sad - the power, the majesty and uplift of this piece always makes me feel better. Shake the house with this one and shake away the blues!

Everything but the Girl - On My Mind. Before they were famous... Private. Memories... A story told a thousand times but never with a happy ending. A different era. Different times. See the video below.

Elton John - Sad Songs. Not his best song but - hell - Bernie describes this feeling of sadness so perfectly! A more authentic song would be Sacrifice. I used to play this in a studio only group in 1994. Happy memories. Things mattered. Ultimately, we didn't.

Dry your tears. Tomorrow can always be better!

Tim

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Late Night Cab To Victoria

The knife edges ever closer to my ear in this season of the sunflower. I apologise in advance.

I told you I'd started writing poetry again some months back. I just signed a contract for one of the resulting poems to be published in an anthology this winter. I barred the press from this event - no photos were allowed. The official and only licensed PR is this blog. 

Winter Love (for that is the name of my poem) started life as a song nearly twenty years ago. One of my better songs actually. About needing someone but pushing them away. Never played live as my group was defunct at this point and anyway, it's more old style American classic than rock. Jazzy chords (F#m4 anyone?), ominous lyrics, somewhat more sophisticated than my usual fayre. Think George Gershwin not George Harrison. 

Winter Love is an expanded rewrite of the song. For days and weeks as I commuted to London, I tinkered with the words. Doubling the size, changing a word here, substituting a new line there, adding a more rounded feel, an ending... Taking out the chorus (well obviously). 

I seem to like my writing projects these days to be shorter than previously. No more 80,000 word novels. More 2000 word shorts stories. Fifty line poems. Apart from a general laziness, there's method in my reductive penmanship.

I think I've got better as a writer over the last two years. No, correct that; I am better as a writer. Fact. As David Brent might say. End of. Short stories and poems give me the opportunity to distill the essence of a situation, a feeling, an idea. It's writing at the sharp end. No room for verbosity, for elongated set-ups, digressions, dodgy plot leaps. 

My favourite feeling is when I've got to the end of short story or poem. The first draft done. For this is the start of real work! The enjoyable bit. The editing. Short stories typically lose 25% to 33% of their size at this point as I reduce, re-order, debate each and every line. Unlike this blog post which could probably do with the editing axe all over it's flabby ass (I have a train to catch).

Anyway, I wanted you to share in my success. Crack out the Cava!

Tim

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Between West Street and Bleecker Street

“I saw a shadow touch a shadow’s hand. On Bleecker Street.”

— Paul Simon - Bleecker Street

When I first went to New York, American Express put me up at The Marriott on West Street. After a hard day in the office I would ask my colleagues out for a beer. And sometimes they would oblige... For a beer. One beer. Before departing for New Jersey. Leaving me alone in New York.

The Marriott on West Street is down at the bottom of Manhattan Island, all skyscrapers, bustling with life during the day but dead after work. What to do? On my first trip to New York?

Letting art be my guide, I summoned a yellow taxi and told the cabbie to take me to Bleecker Street. Due to the Simon and Garfunkel song, it was the only uptown street I knew. So he took me - circuitously I found later - up to Greenwich Village.

And so I wandered around. Had some beers in 'coffee shops' where I had to get used to putting dollars on the bar before ordering my drink. Lighting up a Marlboro I thought - hey! - this is living. All my idols - Neil Diamond, Paul Simon, Bob Dylan, had walked these very streets. All I lacked was my own Suzi Rotolo immortalised on The Freewheeling Bob Dylan:-

Now that image is well known. Less well known is the cover of The Paul Simon Songbook where Paul poses (influenced by Dylan, no doubt) with his then girlfriend Kathy Chitty (of Kathy's Song fame):-

The album cover above is framed and hung in my lounge.

So what does this show? Not much, in the receding view of history. A first time visitor to a great city goes somewhere mentioned in a song. But to me it was real. It was living art. All of my life - then - seemed to be an unwritten novel, a poem - a song, awaiting to be sung.

I suppose life is an ever diminishing version of that little story: The search for the new, the openness of naivety, the finding of oneself, wherever that may be. I suppose we all search for the thrill and expectation I felt during that first taxi ride between West Street and Bleecker Street.

And sometimes we find that feeling. But usually we don't. We all live in between.

Tim

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The Echo Chamber?

Close readers of this blog will discern some sort of overarching pattern to my views. If you suspect that I'm not a Jeremy Corbyn supporter, you'd probably be right (except perversely to keep Steptoe where he is to mess up Labour good and proper 2020).

Anyway, I digress. Today I want to mention a few blogs that I follow and help me to form, reinforce, challenge my world view. I suppose there's an algorithm out there where you enter the blogs you read and out pops a designation of your character. Well, I'll save some time and skip to the conclusion:-

Broadly of the right / libertarian / low taxes / isolationist / Austrian economics / history / humour 

So who do I read:-

Peter Hitchens, of course.  Erudite, well-read, impeccably sourced, not afraid to point out the emperor's new clothes. Broadly a traditional Conservative - Anglican, sceptical of change and fashions, serious.  Good travel writer. One of the few brave souls in the media. Loved by many on the right as John the Baptist type figure.

Rod Liddle. In The Spectator's Coffee House website. Rod is that rare species, a libertarian leftie. But, his readership is mainly right-wing and we all know, shhhhh, that Rod secretly votes UKIP. What you might call the old working class patriotic left - the antithesis to the metrosexual UK hating wankers that scratch their beards and just love cultural relativism and are apologists for all the world's nasty bastards out there. But two main things about Rod that appeal - firstly he's libertarian - mistrustful of attacks on free speech and secondly, he writes brave - did he really say that? - columns that wind up exactly the right people. But mostly he's fucking funny. 

For a sense of balance I troll The Guardian's Comment is Free (CIF) and The Independent websites. It's like outreach work, missionary activity, preaching the gospel of capitalism and libertarianism to the big state / magic money tree lefties within their natural home. The Guardian is notorious in it's biased moderator policy (Komment Macht Frei) - deleting anything it deems offensive, sexist, Islamophobic, racist (except against Jews, of course) or just against the paper's dreadful editorial policy. The trick is to get your trolling in subtly and wind those beardies up to a state of de haut en bas, foul mouthed hissy fits. In return, I do read some of the articles. 99% bollocks of course but at least I escape my echo chamber. The Independent is the brattish, more left-wing, crazier younger sibling of The Guardian. Better for trolling but with a smaller audience for your bon mots.

Guido Fawkes - Order Order blog, is good for breaking political stories, muck raking on politicians. Of the right but lately his voice is muffled due to the constant fellating of the Conservative Party. 

The Conservative Woman is good website for a traditional Conservative viewpoint on most issues.

Breitbart is a good place to hang out, pick up some of the whackier US and UK stories and indulge in the decent BTL non-policed comments. The occasional sound of tinfoil rustling can be heard. Anti-global warming trollmeister, James Delingpole writes here. Always worth the read.

WIiliam M Briggs - mixes up statistics, probability, science, religion and politics. Also does a good podcast.

Well that will do for now - and should keep you busy for a while.

Laters

Tim

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The internet, porn and the opiate of the masses

One of the major differences between my parents' generation and mine and probably between mine and my children's is the way we consume news. I literally cannot stand anymore to watch the BBC (or other channels) as they push their own news agenda. The prominence they give to stories (women's football anyone?). The stories they cover. The stories they don't cover. What angle the reporters choose to push. Who the guests are.

"Tonight we're discussing spending lots of taxes on some bullshit cause de jour. Supporting this we have Mother Theresa, Gandhi and Martin Luther King. Opposing is Adolf Hitler. "

Suddenly we're all supposed to be interested in The Ukraine, or Syria, or Iran, or wherever public school educated lefties in editorial positions decide we need to be lectured about next.  And then - like magic - the issue disappears as the cameramen go onto the next story. Don't get me wrong. There are things that happen in these, and other places, that are newsworthy, but I don't necessarily agree on the broadcasters' news agenda, nor their selective editing or timings. So in 2015, for instance, there was the migrant crisis and all those pictures of young men walking across Europe was on TV every night. This year the numbers flocking to Europe is up. But during the referendum period, did we see any pictures of this? It was happening but strangely, not on our TV screens. Funny that. 

A couple of years back, The Ukraine was all over our screens. The toppling of democratically elected - but corrupt - president by the mob was shown in a sympathetic light. The fight back against this in the east of the country and Crimea, was presented as a bad thing. Especially when Russia joined in. If you supported the EU and approve of the demonising and provoking of Russia, you would push one angle. If you hated the EU, you would push another. Personally, the ignorance and propagandising of our TV coverage sickened me. 

So I decided to do some reading on the history of The Ukraine. What I found was a region so rich with history, wars, pogroms, dirty dealings, hatreds going back centuries that any non specialist would hesitate to say anything, let alone push an agenda. So the attempt by our TV and newspapers to pickle this into a Russia - Bad, pro EU Ukraine - Good narrative just seemed wilfully ignorant. Or deliberate.

The good news is that today there's no excuse to not to be your own news editor and set your own agenda. There's a big, vast internet out there. With a few clicks you can watch videos, read articles from many sources, check facts, go into depth and make your mind up. This democratisation of knowledge is one of the greatest advances in human history. Everything available at just a few seconds notice! 

But surely we need gatekeepers -  shout the statists, the control freaks. The people who were in charge or those who seek to control basically despise, forever and a day, their fellow humans. We're allowed our vote but god forbid we start to challenge received wisdom, start to push back, start to baulk at the titular binary choices we're offered that actually are just two cheeks of the same arse...

Well - getting rid of de haute en bas tossers who love control, is a good thing and actively to be encouraged. As I get older - as faith in my own certainty diminishes - my faith in the collective wisdom of people grows.

But, and it's a big BUT, if we are to be our own editors, if we are to determine our own news agendas, there comes responsibility too. It's the other side of the coin of freedom or liberty. The sentient person has to be aware of their own biases, their own agendas, their own ability to think the best of their own side and do down the other. It's human nature but the zealot, with eyes in the mid distance, ears shutted, is always to avoided.

So - what to do? Read widely. Read across the divide. Engage with arguments. Test out your own. Push your understanding. Improve yourself. 

Yeah, it's a bitch, I get that. But ignorance swirls around us, waiting for victims. Bad people await at the gate waiting to be let in. Ambitious people will try to manipulate you. 

"Libraries gave us power" sang the Manic Street Preachers, in another era about an even earlier era. And so they did. And their modern day equivalent - the internet - still does. Use them. Or lose them. There are people who'd rather you consumed the opiate of celebrity gossip and porn whilst real power was being curtailed.

Next blog post will go through some of my favourite sites...

Let me leave you with The Beatles semi live on The David Frost show pissing on absolutely everyone (as per usual)... 

A Little Bit of Folk

When I was in service in Rosemary Lane

Other than the homegrown Lisa Stansfield concerts I went to in the mid 80's - about which I've written before - Steeleye Span at the Manchester Apollo was one of my first ever 'gigs'. Young Tim loved the folkie sound! Simon and Garkunkel have to be top five for me. I love British / American folk music. It often gets characterised as twats with beards, beer bellies, fingers in their ears singing about sailors and shady ladies!

Which is basically what Rosemary Lane is about. Actually, I had the privilege of seeing the late, great, Bert Jansch live in concert in Brighton in 1990's. He didn't do Rosemary Lane. Bastard.

I've often thought that it would make a great book or film to depict the British folk scene in the mid-60's. The scene that created Fairport Convention, Steeleye Span, Pentangle, John Renbourne, Jackson C Frank, Simon and Garfunkel, and loads of others. They all knew each other, played in the same places, did versions of the same songs. Nicked each other's guitar style.

So let me be your guide though some the highlights of the great folk boom of the 60's / 70's - which probably reached its apogee with Sandy Denny duetting with Led Zeppelin on The Battle of Evermore - a crossover folk rock song like no other. The mighty Zep did what they did with the blues - amped up the power, took what's best in the genre, co-opted the best female folk voice ever, and created the folk hammer of the gods.

Anyway - here's Tim's top 10 acoustic / folkie / whatever list.

Top Ten Folkie / Acoustic Music

1) Bert Jansch - Rosemary Lane (1971)

2) Fairport Convention - Who Knows Where the Time Goes

3) Steeleye Span - All Around my Hat

4) Martin Carthy - Scarborough Fair

5) Simon & Garfunkel - Bleecker Street

6) Van Morrison - Beside You

7) Gordon Lightfoot - In the Early Morning Rain

8) Pentangle - Light Flight

9) Renaissance - The Northern Lights

10) Jackson C Frank - Blues Run the Game

Number 6 also appears on my top ten songs ever. I could pick half a dozen Paul Simon songs for this list but I limited myself to one.

Extra Waffle about Bert Jansch

One of the most influential guitarists ever to come out of Britain. Solo artist, part of the folk supergroup Pentangle and then back to solo again. Jansch seems a genuinely nice, self-effacing guy, as I can recall when I saw him back in the 90's. Needle of Death, from his first album, is such a sad song, tear-jerking even now, and as empathetic a song as I've ever heard. It Don't Bother Me, from his second album, is classic Bert - folkie, intricate guitar figures, detailing love's woes. But I'll plump for Rosemary Lane. Traditional song, rendered traditionally, this was the first folk song - after Steeleye Span - to really get to me. It details the seduction of an innocent servant girl by a travelling sailor. He loves and then leaves. Jansch's version - like Dylan's House of the Rising Sun - reverses the sexes, he sings from a female point of view. Love this song. Bert Jansch - a great soul who died in 2011 - the guitarist's guitar player.

From the BBC special c.'70. Enjoy.

Renbourne left and Jansch right. Scat singing. A bit of jazz, a bit of blues, some folk and a whole lot of soul. 

Augustus Had to Have 31 Days Too

The month of August, Augustus, is upon us. As I mentioned, somewhat vaingloriously below, July was a record month for this blog. Well, let's blast that out of the water.

Let's review...

There are three blogposts I didn't finish, waiting in a crocodile-shaped queue in the 'unpublished' list. They may come out. The Dead Pubs of Clapham oscillates between a blog-post about lost England and a short story about lost Tim. Not sure which yet. There's an Elvis blog with some cracking live footage waiting to be aired. And there's a hat tippin', paying my dues blog about the writers, blogs and websites I read to keep informed.

And yet that is just the tip of the iceberg. In a normal month, that would be a good haul but for Augustus (my dearly beloved and missed cat, and the first citizen of Rome he was named after) that is not enough. Here's what I plan for the next 31 days (if Julius got 31 days, Augustus was gonna bloody well get the same).

- Edward Hopper. An appreciation. Yes, I branch, tentatively into art. Is there no beginning to my talents?

- Led Zeppelin. Often mentioned on this blog. Power and grace, tight jeans and bare chests. Why these guys (the three that are left) aren't Lords of this realm is a fucking disgrace. The Beatles of the 70's with double necked guitars and killer riffs.

- Brighton. If I'm from Rochdale, Brighton - for all it's faults and leftie bullshit - is my spiritual home. And yes, I include Hove into the mix.

- Discussion on some short stories that are coming up for their judgement. Let's hope I have to update the Honours Page many, many times.

- Maybe something about the Romans. Fuck it, why not my take on Augustus?

Let's salute the month of Augustus. 

Tim

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I'm a lovin' July!

July was a record month for this blog. 

The most RSS feeds ever. Yeah, RSS feeds. All that. Internet. Clicks, flicks and chicks. Technology. RSS feeds. No, I haven't got a clue what RSS Feeds are but apparently they're really important and indicative of how many people are book marking my stuff. Or something. Whatever.

The main thing is that the numbers don't lie. There were more RSS Feeds in July than any other month. And no, it wasn't me coming back here many times. That would be just cheating myself and what's the point of that? (I've tried anyway - doesn't work).

To be honest - and when aren't I - I can see why the numbers are high. No, I can. Good writing, jokes, art, culture, bollox.  It's a journey this blog. Yeah, and we're all on it. Well, I'm on it right now. On the lager anyway.

So let's raise a glass to me.

"To Tim"

Tim

BTW - the thing under these words is the RSS feed thingie. Click it. Doing so will change your life. Gives you more Tim than any lady ever wants without cocktails and getting back at a loathsome ex.

Yeah.

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Bukowski, Maupassant, Graves and Bronte and Wilde.

i remember when I was 19 sitting in a field - wind blowing but the day warm - with a bottle of 1979 Portuguese red and a slab of blue cheese and a copy of Emily Bronte's Wuthering Heights. And the grass rustled, and the leaves made that sound they only make in high spring and I turned the pages, drank the wine and ate the cheese. The day got dark, the bottle emptied and the book finished.

I was going through an Oscar Wilde phase (no, not in that way) - in that I read Oscar, wanted to be an aesthete, well-rounded, well-read, lettered and all that. I swore that although I thought Wuthering Heights the most magnificent book, I would never read it again, so perfect was the time and place.

Yeah, what a nob. I get that now.

More or less finished my primer on Charles Bukowski. Yes, he has some style, and yes he has viewpoints, but, frankly, towards the middle, it all seemed a bit, well, one note. So, he drinks. So, he likes the bigger woman. Yeah, he likes horse racing (yawn). So, he has consistent but incoherent views on poetry and the human condition. But I stated to feel imprisoned as though trapped in a bar with a ranting drunk next to me, grabbing my shoulder and raging about things I don't care about. 

Next on the night-table, The Best of Guy du Maupassant, I've not yet pinned to my wall of prejudice. He hovers mid-air, awaiting my judgement. The historian in me is interested in the Franco-Prussian War setting a war which tends to be forgotten these days. The eternal truth that war is hell. How this is forgotten and then rediscovered, as though the first time ever, each time mad men, ambitious men and the stupid beat the drums.

But, for a comforting ritual, I'm reading the second of Robert Graves' Claudius series - Claudius the God (just finished I, Claudius). I've read these books many times but I keep coming back to them. The second isn't as good as the first, but it's still a rattling good read. I feel though I could be a little more ambitious but, as this is the book I pick up before lights out, a challenge is probably the last thing I need.

As for writing myself, I've taken the week off from creation. It's strange - isn't it - then when I'm busiest I want to do more and when I'm not, I do less? Actually, it's probably not that strange at all. Probably it's basic human psychology. (He sits down, embarrassed, to the sound of titters from the back).

Anyway, I have the Stilton, the weather is just right - being warm and breezy - I have Hardy's Wessex Tales to read. Now can anyone tell me where I can buy a 1979 bottle of Portuguese red?

For £1.99?

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Defer, Delay and Enjoy!

Owlsey and Charlie, twins of the trade // come to the Poet's room.

Back in the 1980's (or was it the 1880's, seems a long time ago) we practised what is known in economic parlance as 'deferred gratification'. Some of you older readers will remember that; some of my younger readers will be scratching their heads and asking 'wot's that? lol!!'

Mainly it manifest itself by saving up money for something, taking a half an hour bus trip into Rochdale town centre, buying a single or computer game, getting the bus back again and sitting and listening to said record or load said computer game (to find it didn't work).

It was an interesting system of meeting wants; making the buyer wait for a period of time before certain wants were met. The theory goes that, by making the end-user wait, they put more value on the goods or services eventually purchased.

Well that was the theory anyway. 

Now, with the internet, most wants can be met instantaneously or much more quickly than previously. If I want a track or a book or want to read about the Battle of Zama or The Franco-Prussian War, I can do so with just a few mouse clicks. It would have amazed my younger self, and it's still pretty revolutionary to my older self.

But what does it do for the soul? If your wants are met so easily? No waiting. Often no saving. Just click, click, move on? Do we value things less?

Deep questions. Sort of pint three philosophical ramblings before ordering a whiskey and going off on a rant about Southern Rail or broadband speeds.

So, do I value music less now than I did in 1984 when I'd make that bus journey into Rochdale, buy Lionel Ritchie's 'Hello', take the bus back and put it on the turntable, play it eight times in a row and realise it wasn't that great after-all (sorry - Lionel, it's not that bad actually. Just making a point. Could have picked Nena - 99 Red Balloons, but you came to mind first)?

I think that residual value might have something to do with when it was bought. Extraneous factors. When you're sixteen, pretty much everything is new, everything is the first, everything marks the way to a whole series of other choices. At 48, although I like new tracks, none of them will ever have the impact on my brain as the first time I heard Jumping Jack Flash or The Battle of Evermore.

On my itunes, I have more or less everything from my past I like, filling in the gaps and buying stuff I've never heard is the nature of the game. Most of the hard-to-get tracks have been found (thanks Jay).

One eluded me for years. Jefferson Airplane's Mexico. A single without an album. A musical orphan, hard to find. Well, I found it today. As my original copy was on a long deleted 80's compilation Best of Jefferson Airplane cassette, I hadn't heard the track for, I dunno, fifteen years.

And I still like it. For it's lyricism, it's musicality but also because I remember Tim took the bus to Rochdale town centre, went to the library, hired the cassette, took the bus back, thought most of the tracks crap but loved this, the last track on the album.

Interestingly, I thought the track dealt with some 19th century Mexican revolution, perhaps involving Napoleon III and Maximilian. A romantic, nobel interpretation. Now - thanks to Wiki and online lyric sheets - I know it's actually about cannabis smuggling and Richard Nixon. FFS. I could have done without that unasked for want - curiosity - being met. Deferred or not.

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